Cargando…
Film Worlds : A Philosophical Aesthetics of Cinema /
Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weav...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Columbia University Press,
[2014]
|
| Edición: | Pilot project. eBook available to selected US libraries only |
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780231538350 | ||
| 003 | DE-B1597 | ||
| 005 | 20220302035458.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220302t20142014nyu fo d z eng d | ||
| 010 | |a 2014016641 | ||
| 019 | |a (OCoLC)984664105 | ||
| 020 | |a 9780231538350 | ||
| 024 | 7 | |a 10.7312/yaca15768 |2 doi | |
| 035 | |a (DE-B1597)458560 | ||
| 035 | |a (OCoLC)896800129 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a nyu |c US-NY | ||
| 050 | 0 | 0 | |a PN1995 |b .Y275 2015 |
| 050 | 4 | |a PN1995 |b .Y275 2015 | |
| 072 | 7 | |a PHI001000 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.4301 |2 23 |
| 084 | |a AP 45400 |2 rvk |0 (DE-625)rvk/7522: | ||
| 100 | 1 | |a Yacavone, Daniel, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Film Worlds : |b A Philosophical Aesthetics of Cinema / |c Daniel Yacavone. |
| 250 | |a Pilot project. eBook available to selected US libraries only | ||
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (344 p.) : |b 17 | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t Introduction -- |t Part I. Films and Worlds -- |t 1. Worlds within worlds: Fictions, Narrative, and Aesthetic Enclosure -- |t Part II. Worlds of Symbols -- |t 2. The framework of worlds: Symbolization, Meaning, and Art -- |t 3. Filmmaking as symbolic transformation -- |t 4. Ways of cinematic world-making -- |t 5. Representation, exemplification, and reflexivity: An Alternative Approach to the Symbolic Dimension of Cinematic Art -- |t Part III. Worlds of Feeling -- |t 6. Forms of feeling: Mapping Affect and Emotions in Films -- |t 7. Cineaesthetic world-feeling and immersion -- |t Part IV. Worlds of Truth -- |t 8. Toward an existential hermeneutics of film worlds -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions.Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 7 | |a PHILOSOPHY / Aesthetics. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t CUP Single-User eBook-Package 2014-2015 |z 9783110709827 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2014-2015 |z 9783110665864 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.7312/yaca15768 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780231538350 |z Texto completo |
| 912 | |a 978-3-11-066586-4 Columbia University Press Complete eBook-Package 2014-2015 |c 2014 |d 2015 | ||
| 912 | |a 978-3-11-070982-7 CUP Single-User eBook-Package 2014-2015 |c 2014 |d 2015 | ||
| 912 | |a GBV-deGruyter-alles | ||