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Continental Strangers : German Exile Cinema, 1933-1951 /

Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gemünden, Gerd (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Columbia University Press, [2014]
Edición:Pilot project. eBook available to selected US libraries only
Colección:Film and Culture Series
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 0 |a Continental Strangers :  |b German Exile Cinema, 1933-1951 /  |c Gerd Gemünden. 
250 |a Pilot project. eBook available to selected US libraries only 
264 1 |a New York, NY :   |b Columbia University Press,   |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (296 p.) :  |b ‹B›B&W Photos: ‹/B›40. 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Film and Culture Series 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t Acknowledgments --   |t INTRODUCTION --   |t Part One. PARALLEL MODERNITIES --   |t Part Two. HITLER IN HOLLYWOOD --   |t Part Three. YOU CAN'T GO HOME AGAIN --   |t Notes --   |t Selected Bibliography --   |t Index --   |t Backmatter 
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520 |a Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Motion picture producers and directors  |z Great Britain  |v Biography. 
650 0 |a Motion pictures  |z United States  |x Foreign influences. 
650 0 |a Motion pictures  |z United States  |x History  |y 20th century. 
650 0 |a Political refugees  |z Germany  |x History  |y 20th century. 
650 7 |a HISTORY / United States / 20th Century.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t CUP Single-User eBook-Package 2014-2015  |z 9783110709827 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Columbia University Press Complete eBook-Package 2014-2015  |z 9783110665864 
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912 |a 978-3-11-070982-7 CUP Single-User eBook-Package 2014-2015  |c 2014  |d 2015 
912 |a GBV-deGruyter-alles