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|a Wilke, Tobias,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Sound Writing :
|b Experimental Modernism and the Poetics of Articulation /
|c Tobias Wilke.
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|a Chicago :
|b University of Chicago Press,
|c [2022]
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|c ©2022
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|a 1 online resource (368 p.) :
|b 5 color plates, 39 halftones
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|a text
|b txt
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|a computer
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|a online resource
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|t Frontmatter --
|t Contents --
|t Introduction --
|t 1. Voice Figures: Visible Sound and the Poetics of Articulation (1787-1965) --
|t 2. Toward a Science of Verse: Speech Movements, Graphic Inscription, and the Study of Poetry (1871-1915) --
|t 3. Mama-Papa- Dada: Poetic Expression at the Threshold of Language (1916-1947) --
|t 4. Verbi-Voco- Visual Explorations: Experimental Modernism in a Technical Age (1947-1967) --
|t Acknowledgments --
|t Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a Considers the avant-garde rethinking of poetic language in terms of physical speech production. Avant-garde writers and artists of the twentieth century radically reconceived poetic language, appropriating scientific theories and techniques as they turned their attention to the physical process of spoken language. This modernist "sound writing" focused on the bodily production of speech, which it rendered in poetic, legible, graphic form. Modernist sound writing aims to capture the acoustic phenomenon of vocal articulation by graphic means. Tobias Wilke considers sound writing from its inception in nineteenth-century disciplines like physiology and experimental phonetics, following its role in the aesthetic practices of the interwar avant-garde and through to its reemergence in the postwar period. These projects work with the possibility of crossing over from the audible to the visible, from speech to notation, from body to trace. Employing various techniques and concepts, this search for new possibilities played a central role in the transformation of poetry into a site of radical linguistic experimentation. Considering the works of writers and artists-including Raoul Hausmann, Kurt Schwitters, Viktor Shklovsky, Hugo Ball, Charles Olson, and Marshall McLuhan-Wilke offers a fresh look at the history of the twentieth-century avant-garde.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
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|a Elocution.
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|a Sound poetry.
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|a Sound.
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|a Speech.
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|a ART / General.
|2 bisacsh
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|a avant-garde, sound, poetry, articulation, history of science.
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|i Title is part of eBook package:
|d De Gruyter
|t EBOOK PACKAGE Architecture and Design 2022
|z 9783110992793
|o ZDB-23-DAD
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|d De Gruyter
|t EBOOK PACKAGE Arts, Architecture and Design 2022 English
|z 9783110992816
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|d De Gruyter
|t EBOOK PACKAGE COMPLETE 2022 English
|z 9783110993899
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|d De Gruyter
|t EBOOK PACKAGE COMPLETE 2022
|z 9783110994810
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Complete eBook-Package 2022
|z 9783110766509
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|u https://degruyter.uam.elogim.com/isbn/9780226817767
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|b 2022
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|a 978-3-11-099281-6 EBOOK PACKAGE Arts, Architecture and Design 2022 English
|b 2022
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