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Four Shakespearean Period Pieces /
In the study of Shakespeare since the eighteenth century, four key concepts have served to situate Shakespeare in history: chronology, periodization, secularization, and anachronism. Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the ord...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Figures -- |t Introduction -- |t 1. Shakespeare's First Anachronism -- |t 2. Shakespeare in Chronological Order -- |t 3. Period Drama in the Age of World Pictures -- |t 4. Secularity before Revelation -- |t Acknowledgments -- |t Notes -- |t Bibliography -- |t Index |
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| 520 | |a In the study of Shakespeare since the eighteenth century, four key concepts have served to situate Shakespeare in history: chronology, periodization, secularization, and anachronism. Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the order of time, are being hailed as alternatives to that order. Conversely chronology and periods, its mainstays, are now charged with having distorted the past they have been entrusted to represent, and secularization, once considered the driving force of the modern era, no longer holds sway over the past or the present. In light of this reappraisal, can Shakespeare studies continue unshaken? This is the question Four Shakespearean Period Pieces takes up, devoting a chapter to each term: on the rise of anachronism, the chronologizing of the canon, the staging of plays "in period," and the use of Shakespeare in modernity's secularizing project. To read these chapters is to come away newly alert to how these fraught concepts have served to regulate the canon's afterlife. Margreta de Grazia does not entirely abandon them but deftly works around and against them to offer fresh insights on the reading, editing, and staging of the author at the heart of our literary canon. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 7 | |a LITERARY CRITICISM / General. |2 bisacsh | |
| 653 | |a anachronism, chronology, periods, secularization, Shakespeare Studies, modernity, reappraisal. | ||
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