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Objects in Air : Artworks and Their Outside around 1900 /
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Objects in Air : |b Artworks and Their Outside around 1900 / |c Margareta Ingrid Christian. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction Artworks and Their Modalities of Egress -- |t Chapter 1 Aer, Aurae, Venti: Warburg's Aerial Forms and Historical Milieus -- |t Chapter 2 Luftraum: Riegl's Vitalist Mesology of Form -- |t Chapter 3 Saturated Forms: Rilke's and Rodin's -- |t Chapter 4 The "Kinesphere" and the Body's Other Spatial Envelopes in Rudolf Laban's Theory of Dance -- |t Coda Space as Form -- |t Acknowledgments -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its "milieu," "atmosphere," or "environment." Christian explores how the artwork's external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke's observation that Rodin's sculpture "exhales an atmosphere" and that Cezanne's colors create "a calm, silken air" that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork's ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and "environments" that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Air in art. | |
| 650 | 0 | |a Arts, Modern |y 20th century. | |
| 650 | 0 | |a Space and time in art. | |
| 650 | 7 | |a ART / General. |2 bisacsh | |
| 653 | |a aesthetic form, material space, air, environment, medium, artwork, ecologies, image, art writing, externalism. | ||
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 English |z 9783110754001 |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Complete eBook-Package 2021 |z 9783110739190 |
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