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|a Sheriff, Mary D.,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Moved by Love :
|b Inspired Artists and Deviant Women in Eighteenth-Century France /
|c Mary D. Sheriff.
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|a Chicago :
|b University of Chicago Press,
|c [2008]
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|c ©2004
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|a 1 online resource (320 p.) :
|b 63 halftones
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|a text
|b txt
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|a online resource
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|t Frontmatter --
|t Contents --
|t List of Illustrations --
|t Acknowledgments --
|t Introduction --
|t Chapter 1. Enthusiasm: Reason's Masterpiece --
|t Chapter 2. The Artist and theWoman --
|t Chapter 3. Deviant Spectators: Ignorant Girls andWomen Who Know Too Much --
|t Chapter 4. Pygmalion's Enthusiasm and the Fires of Nymphomania, or The Psychology of Art and Desire --
|t Chapter 5. The Model Pygmalion and the Artist Galatea --
|t Chapter 6. Inspired by Heloise --
|t Conclusion: Closing the Circle, Opening the End --
|t Notes --
|t Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness-even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
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|a Arts, French
|y 18th century
|x Themes, motives.
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|a Creation (Literary, artistic, etc.)
|x History
|y 18th century.
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|a ART / General.
|2 bisacsh
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|a art, women, gender, france, passion, enthusiasm, identity, affect, sensation, sexuality, deviance, mental illness, madwomen, insanity, death, female artists, creativity, medicine, philosophy, literature, visual arts, pygmalion, abnormality, normality, heloise, sappho, erotomania, disease, artistic genius, madness, reason, emulation, possession, galatea, desire, nymphomania, nonfiction.
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Press eBook-Package Backlist 2000-2013
|z 9783110635386
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|c print
|z 9780226752877
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|z Texto completo
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|a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013
|c 2000
|d 2013
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