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Everyone Loves Live Music : A Theory of Performance Institutions /
Every year, millions of music fans come from far and wide to swarm parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they chan...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2020]
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| Colección: | Big Issues in Music
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- 1 Introduction: The Social Study of Musical Performance Institutions
- 2 Conceptualizing Musical Performance Culture
- Clubs in Everyday Urban Life
- 3 The Social Study of Music in Cities
- 4 The Commercial Institutionalization of the Rock Club in New York
- 5 How Did the Rock Club Evolve in Europe?
- Music Festivals in the Summer Season
- 6 A Worldview History of Music Festivals
- 7 The Evolution of Anglophone Global Culture
- 8 Three Industry Evolutions That Changed Festival Culture
- 9 Festival Video and Social Media
- 10 Conclusion
- Acknowledgments
- Notes
- Works Cited
- Index of Names
- Index of Subjects