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|2 23/eng/20220605
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|a Voss, Julia,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Hilma af Klint :
|b A Biography /
|c Julia Voss.
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|a Chicago :
|b University of Chicago Press,
|c [2022]
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|c ©2022
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|a 1 online resource (448 p.) :
|b 44 color plates, 49 halftones
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|b PDF
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|t Frontmatter --
|t Contents --
|t A Note from the Translator --
|t Chronology --
|t Introduction --
|t Part One Family, Childhood, and Youth in Stockholm --
|t 1. Mary Wollstonecraft Visits Sweden and Is Upset --
|t 2. Birth --
|t 3. School and Religion --
|t 4. An Exhibition in London --
|t 5. Bertha Valerius and the Dead --
|t 6. Kerstin Cardon's Painting School --
|t 7. Hermina's Death --
|t Part Two Study at the Academy and Independent Work --
|t 1. The Academy --
|t 2. Guardian Spirit --
|t 3. The Prize --
|t 4. Anna Cassel --
|t 5. "My First Experience with Mediumship" --
|t 6. The Young Artist --
|t 7. Dr. Helleday and Love --
|t 8. The Five --
|t 9. Art from the Orient --
|t 10. Rose and Cross --
|t 11. At the Veterinary Institute --
|t 12. Children's Books and Decorative Art --
|t 13. Italy --
|t 14. Genius --
|t Part Three Paintings for the Temple --
|t 1. Old Images --
|t 2. Revolution --
|t 3. Primordial Chaos --
|t 4. Eros --
|t 5. Medium --
|t 6. The Ten Largest --
|t 7. "I Was the Instrument of Ecstasy" --
|t 8. Rudolf Steiner Visits Sweden --
|t 9. The Young Ones --
|t 10. Sigrid Lancén --
|t 11. The Association of Swedish Women Artists --
|t 12. Frank Heyman --
|t 13. Island Kingdom in Mälaren --
|t 14. First Exhibition with the Theosophists --
|t 15. Tree of Knowledge --
|t 16. The Kiss --
|t 17. Singoalla --
|t 18. The Baltic Exhibition --
|t 19. War --
|t 20. Saint George --
|t 21. Kandinsky in Stockholm --
|t 22. Parsifal and Atom --
|t 23. The Studio on Munsö --
|t 24. Thomasine Anderson --
|t Part Four Dornach, Amsterdam, and London --
|t 1. The Suitcase Museum --
|t 2. Flowers, Mosses, and Lichens --
|t 3. First Visit to the Goetheanum --
|t 4. "Belongs to the Astral World According to Doctor Steiner" --
|t 5. The Fire and the Letter --
|t 6. Amsterdam --
|t 7. London --
|t Part Five Temple and Later Years --
|t 1. The Temple and the Spiral --
|t 2. +x --
|t 3. A Temple in New York --
|t 4. The London Blitz --
|t 5. Future Woman --
|t 6. National Socialism --
|t 7. Lecture in Stockholm --
|t 8. "Degenerate" Art in Germany and Abstract Art in New York --
|t 9. Tyra Kleen and the Plan for a Museum --
|t 10 Last Months --
|t 11. Conclusion --
|t Afterword by Johan af Klint --
|t Afterword by Ulrika af Klint --
|t Appendix 1. Hilma af Klint's Travels and Places of Residence --
|t Appendix 2. The Library of Hilma af Klint --
|t Acknowledgments --
|t Illustration Sources --
|t Notes --
|t Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a A highly anticipated biography of the enigmatic and popular Swedish painter. The Swedish painter Hilma af Klint (1862-1944) was 44 years old when she broke with the academic tradition in which she had been trained. While her naturalistic landscapes and botanicals were shown during her lifetime, her body of radical, abstract works never received the same attention. Today, it is widely accepted that af Klint produced the earliest abstract paintings by a trained European artist. But this is only part of her story. Not only was she a successful woman artist, but she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian and Malevich declared themselves the inventors of abstraction, af Klint was working in a non-representational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the museum/institution. Despite her enormous popularity, there has not yet been a biography of af Klint-until now. Inspired by her first encounter with the artist's work in 2008, Julia Voss set out to learn Swedish and research af Klint's life-not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
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|a Painters
|z Sweden
|v Biography.
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|a Women painters
|z Sweden
|v Biography.
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650 |
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|a BIOGRAPHY & AUTOBIOGRAPHY / General.
|2 bisacsh
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|a female artist, clairvoyant, mystic, abstract art, sweden, nonfiction, radical, convention, biography, nonrepresentational mode, abstraction, malevich, mondrian, kandinsky, experimentation, meditation, religion, science, theosophy, spirituality, philosophy, guggenheim museum, exhibition, mysticism, modernity, women, gender fluidity, spiritualism, stockholm, cosmopolitan.
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|a Posten, Anne,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Complete eBook-Package 2022
|z 9783110766509
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856 |
4 |
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|u https://degruyter.uam.elogim.com/isbn/9780226689937
|z Texto completo
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912 |
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|a 978-3-11-076650-9 University of Chicago Complete eBook-Package 2022
|b 2022
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|a GBV-deGruyter-alles
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