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On the Animation of the Inorganic : Art, Architecture, and the Extension of Life /

Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the An...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Papapetros, Spyros (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, [2012]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a On the Animation of the Inorganic :  |b Art, Architecture, and the Extension of Life /  |c Spyros Papapetros. 
264 1 |a Chicago :   |b University of Chicago Press,   |c [2012] 
264 4 |c ©2012 
300 |a 1 online resource (440 p.) :  |b 10 color plates, 164 halftones 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Introduction. Animation Victims --   |t Part I. Animated History --   |t Part II. Inorganic Culture --   |t Notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century-a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy-the ability to identify with objects of the external world-was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Animation (Cinematography). 
650 0 |a Art  |x Philosophy  |x 20th century. 
650 0 |a Art  |x Philosophy  |y 20th century. 
650 0 |a Nature (Aesthetics). 
650 7 |a ART / General.  |2 bisacsh 
653 |a anthropomorphism, inanimate objects, intelligence, language, souls, secularism, interaction, technology, nonfiction, innovation, inorganic life, simulated movement, machines, robot, animation, empathy, emotions, salvador dali, mies van der rohe, fernand leger, architecture, art, alois riegl, wilhelm worringer, aby warburg, modernism, modernity, projection, skyscrapers, automobiles, philosophy, cinematography, aesthetics, nature. 
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