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|a 709.73/0904
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|a Meyer, James,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a The Art of Return :
|b The Sixties and Contemporary Culture /
|c James Meyer.
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|a Chicago :
|b University of Chicago Press,
|c [2020]
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|c ©2019
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300 |
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|a 1 online resource (368 p.) :
|b 94 color plates, 38 halftones
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t Introduction --
|t Part 1: The Sixties Return --
|t Sixties Children --
|t Topography of the Sixties --
|t After the Revolution --
|t The Double: Return and Reenactment --
|t " A No Man's Land of Time" --
|t Judging the Sixties --
|t Red Scarf Children --
|t Part 2: Entropy as Monument --
|t The Smithson Return --
|t Two "Sixties" --
|t Kent, Ohio (1970) --
|t A Woodshed Series (1996-2004) --
|t Against Nostalgia --
|t Continuing Smithson --
|t An Unintentional Monument --
|t The Monuments of Kent (2008) --
|t Entropy and Death --
|t Part 3: The End of the Sixties --
|t Acknowledgments --
|t Notes --
|t Index
|
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a More than any other decade, the sixties capture our collective cultural imagination. And while many Americans can immediately imagine the sound of Martin Luther King Jr. declaring "I have a dream!" or envision hippies placing flowers in gun barrels, the revolutionary sixties resonates around the world: China's communist government inaugurated a new cultural era, African nations won independence from colonial rule, and students across Europe took to the streets, calling for an end to capitalism, imperialism, and the Vietnam War. In this innovative work, James Meyer turns to art criticism, theory, memoir, and fiction to examine the fascination with the long sixties and contemporary expressions of these cultural memories across the globe. Meyer draws on a diverse range of cultural objects that reimagine this revolutionary era stretching from the 1950s to the 1970s, including reenactments of civil rights, antiwar, and feminist marches, paintings, sculptures, photographs, novels, and films. Many of these works were created by artists and writers born during the long Sixties who were driven to understand a monumental era that they missed. These cases show us that the past becomes significant only in relation to our present, and our remembered history never perfectly replicates time past. This, Meyer argues, is precisely what makes our contemporary attachment to the past so important: it provides us a critical opportunity to examine our own relationship to history, memory, and nostalgia.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
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|a Art, American
|y 20th century.
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650 |
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|a Art, American-20th century.
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650 |
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|a Nineteen sixties.
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650 |
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|a United States-Civilization-1945-.
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|a ART / General.
|2 bisacsh
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|a Civil Rights.
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|a Kerry James Marshall.
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|a New Left.
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|a Robert Smithson.
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|a Viet Nam War.
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|a entropy.
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|a feminism.
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|a nostalgia.
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|a reenactment.
|
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|a the Sixties.
|
773 |
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8 |
|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Press Complete eBook-Package 2019
|z 9783110711943
|
856 |
4 |
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|u https://degruyter.uam.elogim.com/isbn/9780226620145
|z Texto completo
|
912 |
|
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|a 978-3-11-071194-3 University of Chicago Press Complete eBook-Package 2019
|b 2019
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912 |
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|a GBV-deGruyter-alles
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