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The Modernity Bluff : Crime, Consumption, and Citizenship in Côte d'Ivoire /

In Côte d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a r...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Newell, Sasha (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, [2012]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Modernity Bluff :  |b Crime, Consumption, and Citizenship in Côte d'Ivoire /  |c Sasha Newell. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t One. Enregistering Modernity, Bluffing Criminality: How Nouchi Speech Reinvented the Nation --   |t Two. Bizness and "Blood Brothers": The Moral Economy of Crime --   |t Three. Faire le show: Masculinity and the Performative Success of Waste --   |t Four. Fashioning Alterity: Masking, Metonymy, and Otherworld Origins --   |t Five. Paris Is Hard like a Rock: Migration and the Spatial Hierarchy of Global Relations --   |t Six. Counterfeit Belongings: Branding the Ivoirian Political Crisis --   |t Conclusion. Modernity as Bluff --   |t Notes --   |t Glossary --   |t References --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a In Côte d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive-rather, as Sasha Newell argues in The Modernity Bluff, it is an explicit performance so valued in Côte d'Ivoire it has become a matter of national pride. Called bluffeurs, these young urban men operate in a system of cultural economy where reputation is essential for financial success. That reputation is measured by familiarity with and access to the fashionable and expensive, which leads to a paradoxical state of affairs in which the wasting of wealth is essential to its accumulation. Using the consumption of Western goods to express their cultural mastery over Western taste, Newell argues, bluffeurs engage a global hierarchy that is profoundly modern, one that values performance over authenticity­-highlighting the counterfeit nature of modernity itself. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Social status -- Côte d'Ivoire. 
650 0 |a Social status  |z Côte d'Ivoire. 
650 0 |a Urban youth -- Côte d'Ivoire -- Economic conditions -- 21st century. 
650 0 |a Urban youth -- Côte d'Ivoire -- Social conditions -- 21st century. 
650 0 |a Urban youth  |z Côte d'Ivoire  |x Economic conditions  |y 21st century. 
650 0 |a Urban youth  |z Côte d'Ivoire  |x Social conditions  |y 21st century. 
650 7 |a SOCIAL SCIENCE / General.  |2 bisacsh 
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