Cargando…
Stolen Time : Black Fad Performance and the Calypso Craze /
In 1956 Harry Belafonte's Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US-it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new fr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2018]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780226568584 | ||
| 003 | DE-B1597 | ||
| 005 | 20220629043637.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20182018ilu fo d z eng d | ||
| 020 | |a 9780226568584 | ||
| 035 | |a (DE-B1597)523963 | ||
| 035 | |a (OCoLC)1044767725 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a ilu |c US-IL | ||
| 050 | 4 | |a ML3486.A1 | |
| 072 | 7 | |a HIS000000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.6409729 |2 23 |
| 100 | 1 | |a Vogel, Shane, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Stolen Time : |b Black Fad Performance and the Calypso Craze / |c Shane Vogel. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (272 p.) : |b 35 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGMENTS -- |t INTRODUCTION. This and That, or, Swiped Calypsos -- |t ONE. Stolen Time: The Ontology of Black Fad Performance -- |t TWO. The Calypso Program: Technology, Performance, Cinema -- |t THREE. Carnivalizing Jazz: Duke Ellington's Calypso Theater and the Diasporic Instant -- |t FOUR. Surfacing the Caribbean: Black Broadway and Mock Transnational Performance -- |t FIVE. Working against the Music: Geoffrey Holder's Elsewhen -- |t CONCLUSION. Don't Stop the Carnival -- |t NOTES -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In 1956 Harry Belafonte's Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US-it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework-black fad performance-for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it-and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | |a Calypso (Music) |x History. | |
| 650 | 0 | |a Calypso musicians. | |
| 650 | 0 | |a Musicians, Black |z Caribbean, English-speaking. | |
| 650 | 0 | |a Popular music |z Caribbean, English-speaking. | |
| 650 | 0 | |a Popular music |z United States |y 1951-1960. | |
| 650 | 0 | |a Popular music-United States-1951-1960-History and criticism. | |
| 650 | 7 | |a HISTORY / General. |2 bisacsh | |
| 653 | |a African American history. | ||
| 653 | |a Calypso. | ||
| 653 | |a Harry Belafonte. | ||
| 653 | |a United States. | ||
| 653 | |a authenticity. | ||
| 653 | |a cultural appropriation. | ||
| 653 | |a fad. | ||
| 653 | |a mass culture. | ||
| 653 | |a performance. | ||
| 653 | |a race. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press Complete eBook-Package 2018 |z 9783110688580 |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226568584 |z Texto completo |
| 912 | |a 978-3-11-068858-0 University of Chicago Press Complete eBook-Package 2018 |b 2018 | ||
| 912 | |a GBV-deGruyter-alles | ||