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|a 9780226485348
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|a Alexander, Zeynep Çelik,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Kinaesthetic Knowing :
|b Aesthetics, Epistemology, Modern Design /
|c Zeynep Çelik Alexander.
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|a Chicago :
|b University of Chicago Press,
|c [2017]
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|c ©2017
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|a 1 online resource (336 p.) :
|b 10 color plates, 99 halftones
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t Introduction: A Peculiar Experiment --
|t 1. Kinaesthetic Knowing: The Nineteenth- Century Biography of Another Kind of Knowledge --
|t 2. Looking: Wölfflin's Comparative Vision --
|t 3. Affecting: Endell's Mathematics of Living Feeling --
|t 4. Drawing: The Debschitz School and Formalism's Subject --
|t 5. Designing: Discipline and Introspection at the Bauhaus --
|t Epilogue --
|t Acknowledgments --
|t Notes --
|t Selected Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a Is all knowledge the product of thought? Or can the physical interactions of the body with the world produce reliable knowledge? In late-nineteenth-century Europe, scientists, artists, and other intellectuals theorized the latter as a new way of knowing, which Zeynep Çelik Alexander here dubs "kinaesthetic knowing." In this book, Alexander offers the first major intellectual history of kinaesthetic knowing and its influence on the formation of modern art and architecture and especially modern design education. Focusing in particular on Germany and tracing the story up to the start of World War II, Alexander reveals the tension between intellectual meditation and immediate experience to be at the heart of the modern discourse of aesthetics, playing a major part in the artistic and teaching practices of numerous key figures of the period, including Heinrich Wölfflin, Hermann Obrist, August Endell, László Moholy-Nagy, and many others. Ultimately, she shows, kinaesthetic knowing did not become the foundation of the human sciences, as some of its advocates had hoped, but it did lay the groundwork-at such institutions as the Bauhaus-for modern art and architecture in the twentieth century.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
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650 |
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|a Aesthetics
|x Physiological aspects.
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650 |
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|a Aesthetics
|x Psychological aspects.
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650 |
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|a Aesthetics, German
|y 19th century.
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650 |
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|a Aesthetics, German
|y 20th century.
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650 |
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|a Aesthetics, German-19th century.
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650 |
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|a Aesthetics, German-20th century.
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650 |
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|a Aesthetics-Physiological aspects.
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650 |
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|a Aesthetics-Psychological aspects.
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650 |
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|a Aesthetics.
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650 |
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|a Art
|x Study and teaching
|z Germany.
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650 |
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|a Art-Study and teaching-Germany.
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650 |
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|a Design
|x Philosophy.
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650 |
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|a Design-Philosophy.
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650 |
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|a Knowledge, Theory of.
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650 |
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|a Psychology and art
|z Germany.
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650 |
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|a Psychology and art-Germany.
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650 |
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|a Psychophysics.
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650 |
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|a ARCHITECTURE / General.
|2 bisacsh
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653 |
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|a Imperial Germany.
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653 |
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|a aesthetics.
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653 |
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|a epistemology.
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653 |
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|a experimental psychology.
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653 |
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|a formalism.
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653 |
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|a kinaesthesia.
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653 |
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|a kinesthesia.
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653 |
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|a modern design education.
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653 |
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|a modernism.
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|a pedagogy.
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653 |
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|a technique.
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773 |
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Press Complete eBook-Package 2017
|z 9783110711936
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776 |
0 |
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|c print
|z 9780226485201
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856 |
4 |
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|u https://degruyter.uam.elogim.com/isbn/9780226485348
|z Texto completo
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912 |
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|a 978-3-11-071193-6 University of Chicago Press Complete eBook-Package 2017
|b 2017
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912 |
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|a GBV-deGruyter-alles
|