Cargando…
Inadvertent Images : A History of Photographic Apparitions /
As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. With Inadvertent Images, Peter Geimer e...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2018]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780226471907 | ||
| 003 | DE-B1597 | ||
| 005 | 20220424125308.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220424t20182018ilu fo d z eng d | ||
| 010 | |a 2017038031 | ||
| 020 | |a 9780226471907 | ||
| 035 | |a (DE-B1597)549984 | ||
| 035 | |a (OCoLC)1027207056 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a ilu |c US-IL | ||
| 050 | 0 | 0 | |a TR183 |b .G4513 2018 |
| 050 | 4 | |a TR183 |b .G4513 2019 | |
| 072 | 7 | |a PHO000000 |2 bisacsh | |
| 082 | 0 | 4 | |a 770 |2 23 |
| 084 | |a AP 94200 |2 rvk |0 (DE-625)rvk/8147:658 | ||
| 100 | 1 | |a Geimer, Peter, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Inadvertent Images : |b A History of Photographic Apparitions / |c Peter Geimer. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (288 p.) : |b 18 color plates, 58 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t 1. History and "Prehistory" -- |t 2. Visibility by Destruction/ Disturbance -- |t 3. Case Study I: Signs of Life or "False Flames"? -- |t 4. Case Study II: A Self-Portrait of Christ or the White Noise of Photography? -- |t 5. Visible/Invisible -- |t 6. The "Optical Unconscious" of Photography -- |t Notes -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. With Inadvertent Images, Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as "spurious phenomena," "parasites," or "enemies of the photographer." With such photographs, it is virtually impossible to tell where a "picture" has been disrupted-where the representation ends and the image noise begins. We must, Geimer argues, seek to keep both in sight: the technical making and the necessary unpredictability of what is made, the intentional and the accidental aspects, representation and its potential disruption. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | |
| 650 | 0 | |a Phenomenology. | |
| 650 | 0 | |a Photography |x History. | |
| 650 | 0 | |a Photography |x Philosophy. | |
| 650 | 0 | |a Photography |x Psychological aspects. | |
| 650 | 0 | |a Photography, Artistic. | |
| 650 | 7 | |a Photography / General. |2 bisacsh | |
| 653 | |a accident. | ||
| 653 | |a representation. | ||
| 653 | |a unpredictabilty. | ||
| 653 | |a visibility. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press Complete eBook-Package 2018 |z 9783110688580 |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226471907 |z Texto completo |
| 912 | |a 978-3-11-068858-0 University of Chicago Press Complete eBook-Package 2018 |b 2018 | ||
| 912 | |a GBV-deGruyter-alles | ||