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History as a Kind of Writing : Textual Strategies in Contemporary French Historiography /

In academia, the traditional role of the humanities is being questioned by the "posts"-postmodernism, poststructuralism, and postfeminism-which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Phili...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Carrard, Philippe (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a History as a Kind of Writing :  |b Textual Strategies in Contemporary French Historiography /  |c Philippe Carrard. 
264 1 |a Chicago :   |b University of Chicago Press,   |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (264 p.) :  |b 3 tables 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t A Note about Translations and Documentation --   |t Acknowledgments --   |t Preface --   |t Introduction: French History and Its Manuals --   |t Chapter 1. Dispositions --   |t Chapter 2. Situations --   |t Chapter 3. Figures --   |t Conclusion --   |t Notes --   |t References --   |t Index 
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520 |a In academia, the traditional role of the humanities is being questioned by the "posts"-postmodernism, poststructuralism, and postfeminism-which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography. Carrard's work here is expansive-examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Historiography  |z France. 
650 0 |a History  |x Methodology. 
650 0 |a History  |x Philosophy. 
650 0 |a Literature and history - France. 
650 0 |a Literature and history  |z France. 
650 7 |a HISTORY / General.  |2 bisacsh 
653 |a French historiography. 
653 |a Paul Ricoeur. 
653 |a conventions of writing. 
653 |a figure of speech. 
653 |a historiographic discourse. 
653 |a narrative. 
653 |a representation stage. 
653 |a rhetorical device. 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Chicago Press Complete eBook-Package 2017  |z 9783110711936 
776 0 |c print  |z 9780226427966 
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912 |a 978-3-11-071193-6 University of Chicago Press Complete eBook-Package 2017  |b 2017 
912 |a GBV-deGruyter-alles