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Arcimboldo : Visual Jokes, Natural History, and Still-Life Painting /
In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the stra...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2010]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kaufmann, Thomas DaCosta, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Arcimboldo : |b Visual Jokes, Natural History, and Still-Life Painting / |c Thomas DaCosta Kaufmann. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2010] | |
| 264 | 4 | |c ©2010 | |
| 300 | |a 1 online resource (336 p.) : |b 39 color plates, 43 halftones, 1 table | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Illustrations -- |t Preface & Acknowledgments -- |t Introduction -- |t 1. Arcimboldo's Lombard Origins -- |t 2. Arcimboldo from 1562: The Creation of Composite Heads -- |t 3. Learning, Poetry, and Art -- |t 4. Serious Jokes -- |t 5. Natural Philosophy, Natural History, and Nature Painting -- |t 6. Nature Studies -- |t 7. Arcimboldo and the Origins of Still Life -- |t 8. Arcimboldo's Paradoxical Paintings and the Origins of Still Life 213 C -- |t Arcimboldo in the History of Art -- |t Appendix 1. Arcimboldo, the Facchini, and Popular Culture -- |t Appendix 2. Arcimboldo and Meda at Monza -- |t Appendix 3. Concordance of Arcimboldo images from the Aldrovandi Letter, Bologna, Biblioteca Universitaria, Dresden Kupferstich-Kabinett CA 213, Vienna (cod. min. 42), and the "Museum" of Rudolf II (Österreichische Nationalbibliothek, cod. min. 129 and 130) -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art's most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation. Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufmann begins with an overview of Arcimboldo's life and work, exploring the artist's early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg court portraitist in Vienna and Prague. Arcimboldo then trains its focus on the celebrated composite heads, approaching them as visual jokes with serious underpinnings-images that poetically display pictorial wit while conveying an allegorical message. In addition to probing the humanistic, literary, and philosophical dimensions of these pieces, Kaufmann explains that they embody their creator's continuous engagement with nature painting and natural history. He reveals, in fact, that Arcimboldo painted many more nature studies than scholars have realized-a finding that significantly deepens current interpretations of the composite heads. Demonstrating the previously overlooked importance of these works to natural history and still-life painting, Arcimboldo finally restores the artist's fantastic visual jokes to their rightful place in the history of both science and art. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 7 | |a ART / General. |2 bisacsh | |
| 653 | |a natural history, historical, painting, art, artistic, artists, visual, visualization, jokes, comedy, comedic, archaeology, paintings, 16th century, biography, biographical, life story, witty, allegory, composite heads, still-life, italian, italy, imaginative portraits, fruits, vegetables, fish, grotesque symbolical compositions, human forms, whimsical, representation. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press eBook-Package Backlist 2000-2013 |z 9783110635386 |
| 776 | 0 | |c print |z 9780226426860 | |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226426884 |z Texto completo |
| 912 | |a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013 |c 2000 |d 2013 | ||
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