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The Great Movies IV /

No film critic has ever been as influential-or as beloved- as Roger Ebert. Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ebert, Roger (Autor)
Otros Autores: Ebert, Chaz (Contribuidor), Seitz, Matt Zoller, Zoller Seitz, Matt (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, [2016]
Temas:
Acceso en línea:Texto completo

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264 4 |c ©2016 
300 |a 1 online resource (280 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Foreword --   |t Introduction --   |t Selections from the Introductions to the Previous Volumes --   |t 25th Hour --   |t A. I. Artificial Intelligence --   |t An Autumn Afternoon --   |t Badlands --   |t The Ballad of Narayama --   |t Barry Lyndon --   |t The Big Lebowski --   |t The Cabinet of Dr. Caligari --   |t Caché --   |t La Ceremonie --   |t The Circus --   |t La Collectionneuse --   |t Come and See --   |t Contact --   |t Day for Night --   |t Departures --   |t Diary of a Country Priest --   |t Diary of a Lost Girl --   |t Eternal Sunshine of the Spotless Mind --   |t French Cancan --   |t The Grey Zone --   |t The Hairdresser's Husband --   |t Harakiri --   |t Heart of Glass --   |t In a Lonely Place --   |t Ivan the Terrible, Parts I and II --   |t The Killing --   |t Leon Morin, Priest --   |t Lost in Translation --   |t Make Way for Tomorrow --   |t A Man Escaped --   |t The Man Who Shot Liberty Valance --   |t Man with a Movie Camera --   |t The Match Factory Girl --   |t Mon oncle d'Amerique --   |t Monsieur Hire --   |t Mulholland Dr --   |t Mystery Train --   |t Night Moves --   |t Nosferatu the Vampyre --   |t The Only Son --   |t Pale Flower --   |t Pink Floyd: The Wall --   |t The Pledge --   |t Red Beard --   |t Richard III --   |t Rio Bravo --   |t Senso --   |t Seven --   |t Shadow of a Doubt --   |t Shoah --   |t Smiles of a Summer Night --   |t Souls for Sale --   |t The Spirit of the Beehive --   |t Spirited Away --   |t Spring, Summer, Fall, Winter . . . and Spring --   |t Stagecoach --   |t Superman --   |t Tender Mercies --   |t Veronika Voss --   |t Viridiana --   |t Yellow Submarine --   |t Essays Appearing in The Great Movies (2002) --   |t Essays Appearing in The Great Movies II (2005) --   |t Essays Appearing in The Great Movies III (2010) 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a No film critic has ever been as influential-or as beloved- as Roger Ebert. Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere "thumbs up" or "thumbs down." Readers could always sense the man behind the words, a man with interests beyond film and a lifetime's distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie. The Great Movies IV is the fourth-and final-collection of Roger Ebert's essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert's daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert's essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) 
650 0 |a Motion pictures  |v Reviews. 
650 0 |a Motion pictures. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
653 |a movies, films, cinema, move theater, hollywood, critic, criticism, essays, collection, motion pictures, reviews, badlands, artificial intelligence, ballad of narayama, autumn afternoon, barry lyndon, cache, big lebowski, circus, la collectionneuse, come and see, day for night, contact, eternal sunshine spotless mind, departures, french cancan, in a lonely place, grey zone, harakiri, killing, viridiana, yellow submarine, veronika voss, tender mercies, superman, stagecoach, spirited away, seven, red beard, pledge, pale flower, senso. 
700 1 |a Ebert, Chaz,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Ebert, Chaz. 
700 1 |a Seitz, Matt Zoller. 
700 1 |a Zoller Seitz, Matt,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Chicago Press Complete eBook-Package 2016  |z 9783110710984 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780226404035  |z Texto completo 
912 |a 978-3-11-071098-4 University of Chicago Press Complete eBook-Package 2016  |b 2016 
912 |a GBV-deGruyter-alles