Cargando…
Thug Life : Race, Gender, and the Meaning of Hip-Hop /
Hip-hop has come a long way from its origins in the Bronx in the 1970s, when rapping and DJing were just part of a lively, decidedly local scene that also venerated b-boying and graffiti. Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise predom...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2011]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780226395869 | ||
| 003 | DE-B1597 | ||
| 005 | 20220629043637.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20112010ilu fo d z eng d | ||
| 020 | |a 9780226395869 | ||
| 035 | |a (DE-B1597)523674 | ||
| 035 | |a (OCoLC)704275119 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a ilu |c US-IL | ||
| 050 | 4 | |a ML3918.R37 |b J44 2011 | |
| 072 | 7 | |a SOC000000 |2 bisacsh | |
| 082 | 0 | 4 | |a 306.4/842490973 |2 22 |
| 100 | 1 | |a Jeffries, Michael P., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Thug Life : |b Race, Gender, and the Meaning of Hip-Hop / |c Michael P. Jeffries. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2011] | |
| 264 | 4 | |c ©2010 | |
| 300 | |a 1 online resource (280 p.) : |b 3 halftones, 2 tables | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGMENTS -- |t INTRODUCTION: State of the Hip-Hop Union -- |t ONE. The Meaning of Hip-Hop -- |t TWO. From a Cool Complex to Complex Cool -- |t THREE. Thug Life and Social Death -- |t THE BRIDGE. Summary of Chapters Two and Three -- |t FOUR. Hip-Hop Authenticity in Black and White -- |t FIVE. Parental Advisory: Explicit Lyrics -- |t CONCLUSION. The Last Verse -- |t EPILOGUE. Obama as Hip-Hop Icon -- |t APPENDIX -- |t NOTES -- |t REFERENCES -- |t DISCOGRAPHY -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Hip-hop has come a long way from its origins in the Bronx in the 1970s, when rapping and DJing were just part of a lively, decidedly local scene that also venerated b-boying and graffiti. Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise predominantly controlled and consumed by whites while the most prominent performers are black. How does this shift in racial dynamics affect our understanding of contemporary hip-hop, especially when the music perpetuates stereotypes of black men? Do black listeners interpret hip-hop differently from white fans? These questions have dogged hip-hop for decades, but unlike most pundits, Michael P. Jeffries finds answers by interviewing everyday people. Instead of turning to performers or media critics, Thug Life focuses on the music's fans-young men, both black and white-and the resulting account avoids romanticism, offering an unbiased examination of how hip-hop works in people's daily lives. As Jeffries weaves the fans' voices together with his own sophisticated analysis, we are able to understand hip-hop as a tool listeners use to make sense of themselves and society as well as a rich, self-contained world containing politics and pleasure, virtue and vice. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | |a Hip-hop |x Social aspects |z United States. | |
| 650 | 0 | |a Rap (Music) |x Social aspects |z United States. | |
| 650 | 7 | |a SOCIAL SCIENCE / General. |2 bisacsh | |
| 653 | |a race, gender, music, hip hop, thug, black, rap, dj, b boy, graffiti, musicians, performance, audience, industry, commercialization, capitalism, cultural appropriation, stereotypes, gang, drugs, violence, sex, sexuality, fans, identity, pleasure, politics, authenticity, obama, language, vulgarity, swear words, expletives, explicit, lyrics, nonfiction, popular culture, masculinity, strength, power, street, fear, intimidation, reputation, cred. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press eBook-Package Backlist 2000-2013 |z 9783110635386 |
| 776 | 0 | |c print |z 9780226395845 | |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226395869 |z Texto completo |
| 912 | |a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013 |c 2000 |d 2013 | ||
| 912 | |a EBA_FAO | ||
| 912 | |a GBV-deGruyter-alles | ||