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Fire and Desire : Mixed-Race Movies in the Silent Era /
In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines's highly anticipated new book reconsiders the race films of this era with an ambitious historical and th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2000]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gaines, Jane M., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Fire and Desire : |b Mixed-Race Movies in the Silent Era / |c Jane M. Gaines. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2000] | |
| 264 | 4 | |c ©2001 | |
| 300 | |a 1 online resource (352 p.) : |b 36 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Illustrations -- |t Acknowledgments -- |t Note on Film Dates -- |t INTRODUCTION. The "Race" in Race Movies -- |t 1. " Green Like Me" -- |t 2. Desiring Others -- |t 3. Race Movies:All-Black Everything -- |t 4. World-ImprovingDesires -- |t 5. Fire and Desire -- |t 6. The Body' s Story -- |t 7. Race /Riot / Cinema -- |t CONCLUSION. Mixed-Race Movies -- |t Notes -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines's highly anticipated new book reconsiders the race films of this era with an ambitious historical and theoretical agenda. Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith's racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert's portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux. Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | |
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 0 | |a Racially mixed people in motion pictures. | |
| 650 | 0 | |a Racially mixed people |z United States. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 653 | |a film, silent, cinema, segregation, mixed-race, interracial, movies, race films, independent, birth of a nation, black filmmakers, oscar micheaux, within our gates, what happened in the tunnel, sexuality, desire, kiss, miscegenation, self, purity, george p johnson, family, richard s robert, resemblance, inheritance, bette davis, james baldwin, recognition, surprise, unexpected, nonfiction, biracial, embodiment, riot, belonging, inclusion, diversity, marginalized. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press eBook-Package Backlist 2000-2013 |z 9783110635386 |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226278735 |z Texto completo |
| 912 | |a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013 |c 2000 |d 2013 | ||
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