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Paul Klee : The Visible and the Legible /
The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In Paul Klee, Annie Bourneuf offers the fir...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bourneuf, Annie, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Paul Klee : |b The Visible and the Legible / |c Annie Bourneuf. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2021] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (256 p.) : |b 32 color plates, 35 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t A Note on Klee's Sequential Numbering System -- |t Introduction -- |t 1 The "Painter-Draftsman" -- |t 2 Seeing and Speculating -- |t 3 A Refuge for Script -- |t Epilogue: Old Sound -- |t Notes -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) | |
| 650 | 0 | |a Art, Modern. | |
| 650 | 7 | |a ART / General. |2 bisacsh | |
| 653 | |a paul klee, visible, verbal, senses, art, walter benjamin, foucault, 1910s, 1920s, modernism, painting, seeing, reading, imagining, 20th century, abstract, modern, history, criticism, interpretation, painter, printmaker, draftsman, mixed media, drawing, avant garde, graphic, watercolor, soldier, military, draft, blatter, fantastic, grotesque, obscene, imagination, humor, caricature. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press Complete eBook-Package 2014-2015 |z 9783110690439 |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226233604 |z Texto completo |
| 912 | |a 978-3-11-069043-9 University of Chicago Press Complete eBook-Package 2014-2015 |c 2014 |d 2015 | ||
| 912 | |a GBV-deGruyter-alles | ||