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Ozone Journal /

from "Ozone Journal" Bach's cantata in B-flat minor in the cassette, we lounged under the greenhouse-sky, the UVBs hacking at the acids and oxides and then I could hear the difference between an oboe and a bassoon at the river's edge under cover- trees breathed in our respiration...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Balakian, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, [2015]
Colección:Phoenix Poets
Temas:
Acceso en línea:Texto completo

MARC

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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t One --   |t Name and Place --   |t Pueblo 1, New Mexico --   |t Pueblo 2, New Mexico --   |t Pueblo, Christmas Dance --   |t Joe Louis's Fist --   |t Hart Crane in LA, 1927 --   |t Providence/Teheran, '79 --   |t Warhol/Mao, '72 --   |t Baseball Days, '61 --   |t Two --   |t Ozone Journal --   |t Three --   |t Here and Now --   |t Slum Drummers, Nairobi --   |t Leaving Aleppo --   |t Near the Border --   |t Finches --   |t Silk Road --   |t Home --   |t Notes 
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520 |a from "Ozone Journal" Bach's cantata in B-flat minor in the cassette, we lounged under the greenhouse-sky, the UVBs hacking at the acids and oxides and then I could hear the difference between an oboe and a bassoon at the river's edge under cover- trees breathed in our respiration; there was something on the other side of the river, something both of us were itching toward- radical bonds were broken, history became science. We were never the same. The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others-the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS-creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Poetry. 
650 7 |a POETRY / General.  |2 bisacsh 
653 |a poem, poetry, pueblo, new mexico, creative writing, mfa, armenia, armenian, genocide, poetic form, formal poet, end rhyme, christmas, dance, television, journalism, contemporary, modern, marriage, divorce, relationships, aids, death, tragedy, manhattan, single parent, nairobi, native american, trauma, healing, global, international, aleppo, borders, borderlands, history, historical, love, romance, silk road, finaches, los angeles. 
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