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Classicism of the Twenties : Art, Music, and Literature /
The triumph of avant-gardes in the 1920s tends to dominate our discussions of the music, art, and literature of the period. But the broader current of modernism encompassed many movements, and one of the most distinct and influential was a turn to classicism. In Classicism of the Twenties, Theodore...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Classicism of the Twenties : |b Art, Music, and Literature / |c Theodore Ziolkowski. |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Figures -- |t Preface -- |t Part 1. The Theory -- |t 1. Prewar Classicism -- |t 2. Classicism of the Twenties -- |t Part 2. The Practice -- |t 3. Three Exemplary Figures -- |t Part 3. Test Cases -- |t 4. The Writers -- |t 5. The Artists -- |t 6. The Composers -- |t Part 4. Conclusions -- |t 7. Classicism of the Twenties? -- |t Notes -- |t Index |
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| 520 | |a The triumph of avant-gardes in the 1920s tends to dominate our discussions of the music, art, and literature of the period. But the broader current of modernism encompassed many movements, and one of the most distinct and influential was a turn to classicism. In Classicism of the Twenties, Theodore Ziolkowski offers a compelling account of that movement. Giving equal attention to music, art, and literature, and focusing in particular on the works of Stravinsky, Picasso, and T. S. Eliot, he shows how the turn to classicism manifested itself. In reaction both to the excesses of neoromanticism and early modernism and to the horrors of World War I-and with respectful detachment-artists, writers, and composers adapted themes and forms from the past and tried to imbue their own works with the values of simplicity and order that epitomized earlier classicisms. By identifying elements common to all three arts, and carefully situating classicism within the broader sweep of modernist movements, Ziolkowski presents a refreshingly original view of the cultural life of the 1920s. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | |a Classicism in art |x History |y 20th century. | |
| 650 | 0 | |a Classicism in literature |x History |y 20th century. | |
| 650 | 0 | |a Classicism in literature. | |
| 650 | 0 | |a Classicism in music |x History |y 20th century. | |
| 650 | 0 | |a Nineteen twenties. | |
| 650 | 7 | |a LITERARY CRITICISM / General. |2 bisacsh | |
| 653 | |a 1920s, era, time period, decade, classic, art, artistic, artist, music, musical, audio, musician, literature, literary, avant garde, movement, genre, modernism, modern, contemporary, 20th century, stravinsky, interdisciplinary, research, academic, scholarly, picasso, ts eliot, poet, painter, composer, wwi, wartime, postwar, world war, themes, forms, culture, cultural, history, historical. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press Complete eBook-Package 2014-2015 |z 9783110690439 |
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