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|a Conover, Ted,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Immersion :
|b A Writer's Guide to Going Deep /
|c Ted Conover.
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|a Chicago :
|b University of Chicago Press,
|c [2021]
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|c ©2016
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300 |
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|a 1 online resource (192 p.)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|a Chicago Guides to Writing, Editing, and Publishing
|
505 |
0 |
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|t Frontmatter --
|t Contents --
|t Introduction --
|t I. Why Immerse? --
|t II. Choosing a Subject and Gaining Access --
|t III. Once Inside --
|t IV . Undercover: Moving beyond Stunt --
|t V. Writing It --
|t VI. Aftermath --
|t Acknowledgments --
|t Annotated Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a Over three and a half decades, Ted Conover has ridden the rails with hoboes, crossed the border with Mexican immigrants, guarded prisoners in Sing Sing, and inspected meat for the USDA. His books and articles chronicling these experiences, including the award-winning Newjack: Guarding Sing Sing, have made him one of the premier practitioners of immersion reporting. In immersion reporting-a literary cousin to ethnography, travel writing, and memoir-the writer fully steps into a new world or culture, participating in its trials, rites, and rituals as a member of the group. The end results of these firsthand experiences are familiar to us from bestsellers such as Nickel and Dimed and Behind the Beautiful Forevers. But in a world of wary strangers, where does one begin? Conover distills decades of knowledge into an accessible resource aimed at writers of all levels. He covers how to "get into" a community, how to conduct oneself once inside, and how to shape and structure the stories that emerge. Conover is also forthright about the ethics and consequences of immersion reporting, preparing writers for the surprises that often surface when their piece becomes public. Throughout, Conover shares anecdotes from his own experiences as well as from other well-known writers in this genre, including Alex Kotlowitz, Anne Fadiman, and Sebastian Junger. It's a deep-in-the-trenches book that all aspiring immersion writers should have in hand as they take that first leap into another world.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
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|a Creative nonfiction.
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650 |
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|a Investigative reporting.
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650 |
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|a Participant observation.
|
650 |
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|a Reportage literature
|x Authorship.
|
650 |
|
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|a LANGUAGE ARTS & DISCIPLINES / General.
|2 bisacsh
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|a ethics.
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653 |
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|a ethnography.
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653 |
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|a first person.
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|a personal experience.
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|a structure.
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|a undercover reporting.
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773 |
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Press Complete eBook-Package 2016
|z 9783110710984
|
856 |
4 |
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|u https://degruyter.uam.elogim.com/isbn/9780226113234
|z Texto completo
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912 |
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|a 978-3-11-071098-4 University of Chicago Press Complete eBook-Package 2016
|b 2016
|
912 |
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|a GBV-deGruyter-alles
|