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The Romantic Absolute : Being and Knowing in Early German Romantic Philosophy, 1795-1804 /

The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nassar, Dalia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, [2013]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Romantic Absolute :  |b Being and Knowing in Early German Romantic Philosophy, 1795-1804 /  |c Dalia Nassar. 
264 1 |a Chicago :   |b University of Chicago Press,   |c [2013] 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Abbreviations --   |t Introduction --   |t Part One: Novalis --   |t Introduction --   |t 1. Interpreting the Fichte-Studien --   |t 2. Beyond the Subjective Self: Hemsterhuis, Kant, and the Question of the Whole --   |t 3. Romanticizing Nature and the Self --   |t 4. A Living Organon of the Sciences --   |t Conclusion to Part I: Romanticism and Idealism --   |t Part Two: Friedrich Schlegel --   |t Introduction --   |t 5. New Philosophical Ideals: Schlegel's Critique of First Principles --   |t 6. From Epistemology to Ontology: The Lectures on Transcendental Idealism --   |t 7. Becoming, Nature, and Freedom --   |t 8. Presenting Nature: From the System of Fragments to the Romantic Novel --   |t Conclusion to Part 2: Schlegel as Philosopher --   |t Part Three: Schelling --   |t Introduction --   |t 9. The Early Schelling: Between Fichte and Spinoza --   |t 10. The Philosophy of Nature --   |t 11. From the System of Transcendental Idealism to the Identity Philosophy --   |t 12. Identity Philosophy and the Philosophy of Art --   |t Conclusion to Part 3 --   |t Conclusion: The Romantic Absolute --   |t Notes --   |t Works Cited --   |t Index 
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520 |a The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics' concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics-Novalis, Friedrich Schlegel, and Friedrich Schelling-Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Absolute, The. 
650 0 |a Philosophy, German  |x History  |y 19th century. 
650 0 |a Philosophy, German  |y 19th century. 
650 7 |a PHILOSOPHY / General.  |2 bisacsh 
653 |a the absolute, germany, romanticism, philosophy, being, knowing, kant, hegel, epistemology, metaphysics, friedrich schelling, schlegel, novalis, subjectivity, self, hemsterhuis, whole, nature, idealism, ontology, transcendentalism, becoming, freedom, romantic novel, spinoza, fichte, art, identity, nonfiction, goethe, jacobi, von hardenberg, mind, spirit. 
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