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|2 23
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|a Berish, Andrew S.,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Lonesome Roads and Streets of Dreams :
|b Place, Mobility, and Race in Jazz of the 1930s and '40s /
|c Andrew S. Berish.
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|a Chicago :
|b University of Chicago Press,
|c [2012]
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|c ©2012
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|a 1 online resource (312 p.) :
|b 8 halftones, 11 line drawings, 10 musical examples
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t Acknowledgments --
|t Introduction --
|t 1. I Dream of Her and Avalon: 1930s Sweet Jazz, Race, and Nostalgia at the Casino Ballroom --
|t 2. From the "Make Believe Ballroom" to the Meadowbrook Inn: Charlie Barnet and the Promise of the Road --
|t 3. A Locomotive Laboratory of Place: Duke Ellington and His Orchestra --
|t 4. Travels with Charlie Christian: Between Region and Nation --
|t Conclusion: Air Spaces --
|t Notes --
|t Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, Lonesome Roads and Streets of Dreams depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries-from black to white, South to North, and rural to urban-and how they found expression for these movements in the insistent music they were creating.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
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|a Big band music
|x Social aspects.
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|a Jazz musicians
|x Homes and haunts
|x United States.
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|a Jazz musicians
|x Homes and haunts
|z United States.
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650 |
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|a Music and race
|x History
|x 20th century
|x United States.
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650 |
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|a Music and race
|z United States
|x History
|y 20th century.
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650 |
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|a MUSIC / General.
|2 bisacsh
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653 |
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|a jazz, america, music, history, venues, concerts, improvisation, nation, identity, performance, race, geography, boundaries, jan garber, duke ellington, bandleader, saxophone, charlie barnet, guitar, christian, segregation, south, north, traveling, jim crow, civil rights, prejudice, catalina island, manhattan, oklahoma city, musicians, big band, casino ballroom, make believe, meadowbrook inn, orchestra, region, place, space, nonfiction, reference.
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773 |
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Press eBook-Package Backlist 2000-2013
|z 9783110635386
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776 |
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|c print
|z 9780226044941
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|u https://degruyter.uam.elogim.com/isbn/9780226044965
|z Texto completo
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912 |
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|a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013
|c 2000
|d 2013
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|a EBA_FAO
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|a GBV-deGruyter-alles
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