Cargando…
An Archaeology of Sympathy : The Sentimental Mode in Literature and Cinema /
In the middle of the eighteenth century, something new made itself felt in European culture-a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
[2013]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780226035000 | ||
| 003 | DE-B1597 | ||
| 005 | 20220629043637.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20132013ilu fo d z eng d | ||
| 010 | |a 2012044801 | ||
| 020 | |a 9780226035000 | ||
| 035 | |a (DE-B1597)523357 | ||
| 035 | |a (OCoLC)846786516 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a ilu |c US-IL | ||
| 050 | 0 | 0 | |a PN56.S475 |b C47 2013 |
| 072 | 7 | |a LIT000000 |2 bisacsh | |
| 100 | 1 | |a Chandler, James, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 3 | |a An Archaeology of Sympathy : |b The Sentimental Mode in Literature and Cinema / |c James Chandler. |
| 264 | 1 | |a Chicago : |b University of Chicago Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (392 p.) : |b 68 halftones | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t Introduction: The Sentimental Mode -- |t PART 1. The Capraesque -- |t Introduction -- |t One. Capra's America -- |t Two. Capra Remakes Capra -- |t Three. Cinema as a Medium of Sentiment -- |t PART 2. The Making of Literary Sentimentalism -- |t Introduction -- |t Four. The Case of the Literary Spectator -- |t Five. Sentimental Journeys, Vehicular States -- |t Six. The Emergence of Sentimental Probability -- |t Seven. Sentimental Monstrosity -- |t PART 3. Against Sentiment -- |t Introduction -- |t Eight. Romanticism -- |t Nine. Modernism -- |t Coda -- |t Acknowledgments -- |t Notes -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In the middle of the eighteenth century, something new made itself felt in European culture-a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra's It Happened One Night, Mr. Deeds Goes to Town, and It's a Wonderful Life. Chandler then moves forward to romanticism and modernism-two cultural movements often seen as defined by their rejection of the sentimental-examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | |a English literature |x History and criticism. | |
| 650 | 0 | |a Sentimentalism in literature. | |
| 650 | 0 | |a Sentimentalism in motion pictures. | |
| 650 | 0 | |a Sentimentalism. | |
| 650 | 7 | |a LITERARY CRITICISM / General. |2 bisacsh | |
| 653 | |a sympathy, sentimental, literature, cinema, film, professor, college, university, academic, scholarly, textbook, research, media studies, critical theory, analysis, sergei eisenstein, dickens, american, pop culture, history, music, art, 1900s, 2000s, 20th century, modern, contemporary, technology, spectator, old hollywood, classic movies, frank capra, mary shelley, joseph conrad, interdisciplinary, motion pictures, talkies, modernism, romanticism. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Chicago Press eBook-Package Backlist 2000-2013 |z 9783110635386 |
| 776 | 0 | |c print |z 9780226034959 | |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780226035000 |z Texto completo |
| 912 | |a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013 |c 2000 |d 2013 | ||
| 912 | |a EBA_FAO | ||
| 912 | |a GBV-deGruyter-alles | ||