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|a 9780226034331
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|a Voskuhl, Adelheid,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Androids in the Enlightenment :
|b Mechanics, Artisans, and Cultures of the Self /
|c Adelheid Voskuhl.
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|a Chicago :
|b University of Chicago Press,
|c [2013]
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|c ©2013
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|a 1 online resource (288 p.) :
|b 8 halftones, 4 line drawings
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|a text
|b txt
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|a computer
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|a online resource
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|t Frontmatter --
|t Contents --
|t Illustrations --
|t Acknowledgments --
|t One. Introduction: Androids, Enlightenment, and the Human-Machine Boundary --
|t Two. The Harpsichord-Playing Android; or, Clock-Making in Switzerland --
|t Three. The Dulcimer-Playing Android; or, Furniture- Making in the Rhineland --
|t Four. The Design of the Mechanics; or, Sentiments Replicated in Clockwork --
|t Five. Poetic Engagement with Piano-Playing Women Automata --
|t Six. The "Enlightenment Automaton" in the Modern Industrial Age --
|t Conclusion --
|t Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a The eighteenth century saw the creation of a number of remarkable mechanical androids: at least ten prominent automata were built between 1735 and 1810 by clockmakers, court mechanics, and other artisans from France, Switzerland, Austria, and the German lands. Designed to perform sophisticated activities such as writing, drawing, or music making, these "Enlightenment automata" have attracted continuous critical attention from the time they were made to the present, often as harbingers of the modern industrial age, an era during which human bodies and souls supposedly became mechanized. In Androids in the Enlightenment, Adelheid Voskuhl investigates two such automata-both depicting piano-playing women. These automata not only play music, but also move their heads, eyes, and torsos to mimic a sentimental body technique of the eighteenth century: musicians were expected to generate sentiments in themselves while playing, then communicate them to the audience through bodily motions. Voskuhl argues, contrary to much of the subsequent scholarly conversation, that these automata were unique masterpieces that illustrated the sentimental culture of a civil society rather than expressions of anxiety about the mechanization of humans by industrial technology. She demonstrates that only in a later age of industrial factory production did mechanical androids instill the fear that modern selves and societies had become indistinguishable from machines.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
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650 |
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|a Artisans -- Europe -- History.
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650 |
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|a Artisans
|z Europe
|x History.
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650 |
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|a Enlightenment -- Europe.
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650 |
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|a Enlightenment
|z Europe.
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650 |
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|a Mechanical engineering -- History.
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650 |
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|a Mechanical engineering
|x History.
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650 |
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|a Robots -- History.
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650 |
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|a Robots
|x History.
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650 |
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7 |
|a HISTORY / General.
|2 bisacsh
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653 |
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|a machines, robots, android, mechanics, mechanical, artisan, culture, cultural, self, identity, sociology, sociological, 18th century, technology, automata, automaton, 1700s, 1800s, clockmaker, france, switzerland, europe, western, austria, german, germany, industrial, era, time period, history, historical, academic, scholarly, research, communication, performance, dulcimer, harpsichord.
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|i Title is part of eBook package:
|d De Gruyter
|t University of Chicago Press eBook-Package Backlist 2000-2013
|z 9783110635386
|
776 |
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|c print
|z 9780226034027
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|u https://degruyter.uam.elogim.com/isbn/9780226034331
|z Texto completo
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912 |
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|a 978-3-11-063538-6 University of Chicago Press eBook-Package Backlist 2000-2013
|c 2000
|d 2013
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|a EBA_FAO
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|a GBV-deGruyter-alles
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