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Graffiti Scratched, Scrawled, Sprayed : Towards a Cross-Cultural Understanding /

Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, u...

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Detalles Bibliográficos
Otros Autores: Mascia, Leah (Editor ), Osthof, Ann Lauren (Editor ), Ratzke, Malena (Editor ), Škrabal, Ondřej (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin ; Boston : De Gruyter, [2023]
Colección:Studies in Manuscript Cultures , 35
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Graffiti Scratched, Scrawled, Sprayed :  |b Towards a Cross-Cultural Understanding /  |c ed. by Ondřej Škrabal, Leah Mascia, Ann Lauren Osthof, Malena Ratzke. 
264 1 |a Berlin ;  |a Boston :  |b De Gruyter,  |c [2023] 
264 4 |c 2023 
300 |a 1 online resource (VI, 505 p.). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Studies in Manuscript Cultures ,  |x 2365-9696 ;  |v 35 
520 |a Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day. reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book's fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany. As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023). 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 4 |a Archäologie. 
650 4 |a Epigraphik. 
650 4 |a Geschichte+Schreiben. 
650 4 |a Sozialgeschichte. 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
653 |a Epigraphy. 
653 |a archaeology. 
653 |a history of writing. 
653 |a social history. 
700 1 |a Mascia, Leah,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Osthof, Ann Lauren,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Ratzke, Malena,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Škrabal, Ondřej,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
776 0 |c EPUB  |z 9783111326313 
776 0 |c print  |z 9783111326283 
856 4 0 |u https://www.degruyter.com/openurl?genre=book&isbn=9783111326306  |z Texto completo 
880 0 0 |6 505-00  |t Frontmatter --  |t Contents --  |t Towards a Cross-Cultural Understanding of Graffiti: Terminology, Context, Semiotics, Documentation --  |t Africa --  |t Writing Wherever Possible and Meaningful: Graffiti Culture in Ancient Egypt. Context, Terminology, Documentation --  |t 'Spray It Loud': Hip Hop Graffiti Culture and Politics in Dar es Salaam, 2003-2018 --  |t America --  |t Incised Images among the Palaces and Temples: The Content and Meaning of Pre-Columbian Maya Graffiti --  |t Graffiti and the Media: Between Politics, Art and Vandalism --  |t Central and East Asia --  |t Old Uyghur Graffiti Inscriptions from Central Asia --  |t Chinese Graffiti in Dunhuang--  |t Transcribed Flows and Arrhythmias: 'Graffiti' in Relation to Epigraphic and Artistic Trajectories in Today's Mainland China --  |t Intermezzo --  |t The Spray Can as an Attitude to Life between Illegal Action and Commercial Art: A Conversation on the Emergence of a Modern Graffiti Form with the Artist Mirko Reisser alias DAIM --  |t South and West Asia --  |t Graffiti in Ancient India: Towards the Definition of a Genre of Indian Epigraphy --  |t Graffiti in Middle Iranian: Some Preliminary Notes --  |t Voices in the Wilderness: Some Unexpected Uses of Graffiti --  |t Medieval and Early Modern Graffiti in Eastern Mediterranean: A New Methodological Approach --  |t Europe --  |t Documenting Ancient Graffiti: Text, Image, Support and Access --  |t Curating Graffiti: The Exhibition Wände│Walls in the Kunstmuseum Stuttgart --  |t Contributors --  |t Index 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL31016860 
938 |a De Gruyter  |b DEGR  |n 9783111326306 
994 |a 92  |b IZTAP