Cinema Against Spectacle : Technique and Ideology Revisited /

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Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered specta...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Comolli, Jean-Louis (Autor)
Otros Autores: Fairfax, Daniel (Contribuidor, Editor ), Rosen, Philip (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2022]
Colección:Film Theory in Media History
Temas:
Motion pictures > Philosophy > History.
Motion pictures > Philosophy.
Film Studies.
Film, Media, and Communication.
Cinéma > Philosophie > Histoire.
Cinéma > Philosophie.
ART / Film & Video.
Motion pictures > Philosophy
Film Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Table of Contents
  • Preface
  • Introduction
  • Cinema against Spectacle
  • Introduction
  • Cinema against Spectacle
  • I. Opening the Window?
  • II. Inventing the Cinema?
  • III. Filming the Disaster?
  • IV. Cutting the Figure?
  • V. Changing the Spectator?
  • Technique and Ideology: Camera, Perspective, Depth of Field
  • Introduction
  • I. On a Dual Origin
  • II. Depth of Field: The Double Scene
  • III. "Primitive" Depth of Field
  • IV. Effacement of Depth/Advent of Speech
  • V. Which Speech?
  • Appendix I: Cinema/Ideology/Criticism
  • Appendix II: Machines of the Visible
  • Glossary of Terms
  • Publication History
  • Filmography
  • Bibliography
  • Translator's Notes
  • Index
  • Film Theory in Media History

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