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Cinema Against Spectacle : Technique and Ideology Revisited /

Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered specta...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Comolli, Jean-Louis (Autor)
Otros Autores: Fairfax, Daniel (Contribuidor, Editor ), Rosen, Philip (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2022]
Colección:Film Theory in Media History
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Cinema Against Spectacle :  |b Technique and Ideology Revisited /  |c Jean-Louis Comolli; ed. by Daniel Fairfax. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2022] 
264 4 |c ©2015 
300 |a 1 online resource (348 p.). 
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490 0 |a Film Theory in Media History 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Preface --  |t Introduction --  |t Cinema against Spectacle --  |t Introduction --  |t Cinema against Spectacle --  |t I. Opening the Window? --  |t II. Inventing the Cinema? --  |t III. Filming the Disaster? --  |t IV. Cutting the Figure? --  |t V. Changing the Spectator? --  |t Technique and Ideology: Camera, Perspective, Depth of Field --  |t Introduction --  |t I. On a Dual Origin --  |t II. Depth of Field: The Double Scene --  |t III. "Primitive" Depth of Field --  |t IV. Effacement of Depth/Advent of Speech --  |t V. Which Speech? --  |t Appendix I: Cinema/Ideology/Criticism --  |t Appendix II: Machines of the Visible --  |t Glossary of Terms --  |t Publication History --  |t Filmography --  |t Bibliography --  |t Translator's Notes --  |t Index --  |t Film Theory in Media History 
520 |a Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022). 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Motion pictures  |x Philosophy  |x History. 
650 0 |a Motion pictures  |x Philosophy. 
650 4 |a Film Studies. 
650 4 |a Film, Media, and Communication. 
650 6 |a Cinéma  |x Philosophie  |x Histoire. 
650 6 |a Cinéma  |x Philosophie. 
650 7 |a ART / Film & Video.  |2 bisacsh 
650 7 |a Motion pictures  |x Philosophy  |2 fast 
653 |a Film Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma. 
655 7 |a History  |2 fast 
700 1 |a Fairfax, Daniel,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Fairfax, Daniel,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Rosen, Philip,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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