Sergei M. Eisenstein : Notes for a General History of Cinema /

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One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Franci...

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Detalles Bibliográficos
Otros Autores: Ackerman, Ada (Contribuidor), Albera, François (Contribuidor), Arsenjuk, Luka (Contribuidor), Baumbach, Nico (Contribuidor), Didi-Huberman, Georges (Contribuidor), Eisenstein, Sergei M. (Contribuidor), Gaines, Jane (Contribuidor), Geil, Abe (Contribuidor), Hediger, Vinzenz (Contribuidor), Iampolski, Mikhail (Contribuidor), Khopkar, Arun (Contribuidor), Kleiman, Naum (Contribuidor, Editor ), Montani, Pietro (Contribuidor), Rosen, Philip (Contribuidor), Ryabchikova, Natalie (Contribuidor), Salazkina, Masha (Contribuidor), Somaini, Antonio (Contribuidor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2022]
Colección:Film Theory in Media History
Temas:
Auteur theory (Motion pictures)
Motion picture producers and directors > Soviet Union > Biography.
Motion pictures > Aesthetics.
Motion pictures > History.
Motion pictures > Semiotics.
Semiotics and motion pictures.
FIL.
Film Studies.
Film, Media, and Communication.
Politique des auteurs (Cinéma)
Producteurs et réalisateurs de cinéma > URSS > Biographies.
Cinéma > Esthétique.
Cinéma > Histoire.
Sémiotique et cinéma.
ART / Film & Video.
Motion picture producers and directors
Motion pictures
Motion pictures > Aesthetics
Motion pictures > Semiotics
Semiotics and motion pictures
Soviet Union
Sergei Eisenstein, montage, untranslated notes, history of cinema.
Biographies
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Table of Contents
  • Acknowledgements
  • Editorial Criteria
  • Foreword
  • Cinema as "Dynamic Mummification," History as Montage: Eisenstein's Media Archaeology
  • Part One. Notes for a General History of Cinema
  • 1. The Heir
  • 2. Dynamic Mummification: Notes for a General History of Cinema
  • 3. Revelation in Storm and Thunder
  • 4. In Praise of the Cine-chronicle
  • 5. The Place of Cinema in the General System of the History of the Art
  • 6. Pioneers and Innovators
  • Part Two. Essays
  • 1. What Renders Daumier's Art so Cinematic for Eisenstein?
  • 2. "The Heritage We Renounce": Eisenstein in Historio-graphy
  • 3. The Notes for a General History of Cinema and the Dialectic of the Eisensteinian Image
  • 4. Act Now!, or For an Untimely Eisenstein
  • 5. Pathos and Praxis (Eisenstein versus Barthes)
  • 6. Eisenstein's Absolutely Wonderful, Totally Impossible Project
  • 7. Dynamic Typicality
  • 8. Archaeology vs. Paleontology: A Note on Eisenstein's Notes for a General History of Cinema
  • 9. Point
  • Pathos
  • Totality
  • 10. Distant Echoes
  • 11. "Synthesis" of the Arts or "Friendly Cooperation" between the Arts? The General History of Cinema According to Eisenstein
  • 12. Eisenstein's Mummy Complex: Temporality, Trauma, and a Distinction in Eisenstein's Notes for a General History of Cinema
  • 13. Sergei Eisenstein and the Soviet Models for the Study of Cinema, 1920s-1940s
  • Bibliography
  • Notes
  • Index of names
  • Contributors

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