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The Cultural Politics of Affect and Emotion : A Case Study of Chinese Reality TV /

Against the background of the media commercialization reform since the 1990s in China and drawing on the case of »X-Change« (2006-2019), Wei Dong investigates the entanglements between emotion and subjectivity, ideology, identity and hegemonic power in the multimodal text of the program. The focus l...

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Detalles Bibliográficos
Autor principal: Dong, Wei (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript Verlag, [2022]
Colección:Critical Studies in Media and Communication : former Critical Media Studies ; 28
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Cultural Politics of Affect and Emotion :  |b A Case Study of Chinese Reality TV /  |c Wei Dong. 
264 1 |a Bielefeld :  |b transcript Verlag,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (234 p.). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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490 0 |a Critical Studies in Media and Communication : former Critical Media Studies ;  |v 28 
505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgements --  |t List of Abbreviations --  |t List of Tables and Figures --  |t Chapter 1: Introduction --  |t Chapter 2: Mass Media and Reality TV Formats in Post-socialist China --  |t Chapter 3: The Turn to Affect and its Application to Reality TV --  |t Chapter 4: Reality TV Analysis: From Authenticity to Affect --  |t Chapter 5: Researching Affect in Reality TV Text --  |t Chapter 6: Telling Stories, Swapping Lives --  |t Chapter 7: Emotional Excess and Therapeutic Governance --  |t Chapter 8: The Politics of Suffering and Kuqing --  |t Chapter 9: Conclusion and Discussion --  |t Bibliography 
520 |a Against the background of the media commercialization reform since the 1990s in China and drawing on the case of »X-Change« (2006-2019), Wei Dong investigates the entanglements between emotion and subjectivity, ideology, identity and hegemonic power in the multimodal text of the program. The focus lies on the ways in which emotions are appropriated and disciplined by regimes of power and identity, and the ways in which affect - in this case primarily kuqing (bitter emotions) communicated by the material and the body - have the potential to challenge or exceed existing relations of power in the mediascape. Wei Dong shows how Chinese reality TV provides a historical and theoretical opportunity for understanding the affective structures of contemporary China in the dynamic process of fracture and integration. 
536 |a funded by BMBF Fördervorhaben 16TOA002 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022). 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 4 |a China. 
650 4 |a Culture. 
650 4 |a Emotion. 
650 4 |a Media Studies. 
650 4 |a Popular Culture. 
650 4 |a Reality TV. 
650 4 |a Society. 
650 4 |a Sociology of Media. 
650 4 |a Television. 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
653 |a China. 
653 |a Culture. 
653 |a Emotion. 
653 |a Media Studies. 
653 |a Popular Culture. 
653 |a Reality TV. 
653 |a Society. 
653 |a Sociology of Media. 
653 |a Television. 
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938 |a De Gruyter  |b DEGR  |n 9783839462843 
994 |a 92  |b IZTAP