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The Cinema of Marguerite Duras : Multisensoriality and Female Subjectivity /
Examines how the films of Marguerite Duras create a multisensorial experience for spectatorsThe writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2022]
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| Colección: | Visionaries: Thinking Through Female Filmmakers : VISI
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Royer, Michelle, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Cinema of Marguerite Duras : |b Multisensoriality and Female Subjectivity / |c Michelle Royer. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (144 p.) : |b 12 colour illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 0 | |a Visionaries: Thinking Through Female Filmmakers : VISI | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of figures -- |t Acknowledgements -- |t Introduction -- |t 1. Film theory, multisensoriality and the feminine -- |t 2. Inscribing authorship -- |t 3. Desynchronisation, subversion and the senses -- |t 4. Multisensorial visuality -- |t 5. Soundscape: sonic aesthetics and the feminine -- |t Conclusion -- |t Bibliography -- |t Filmography -- |t Index |
| 520 | |a Examines how the films of Marguerite Duras create a multisensorial experience for spectatorsThe writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.Key featuresExamines how the director's filmic innovations create a sensorial space for the female experience to be expressedBuilds on recent work on film as a multisensory mediumCovers Duras's entire film production, including short films and early adaptations. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022). | |
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a Motion pictures |z France |x History. | |
| 650 | 0 | |a Women motion picture producers and directors |z France. | |
| 650 | 4 | |a Film, Media & Cultural Studies. | |
| 650 | 6 | |a Cinéma |z France |x Histoire. | |
| 650 | 6 | |a Productrices et réalisatrices de cinéma |z France. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Women motion picture producers and directors |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The cinema of Marguerite Duras (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcQr9KBdChtJWXHYFbTVy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | |c print |z 9781474440547 | |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9781474427869 |z Texto completo |
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