Cinematic Intermediality : Theory and Practice /

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Outlines an innovative agenda for understanding film's interaction with other art formsOpens up new critical perspectives for understanding the role of intermediality in moving image creationBroadens the traditional horizon of film studies, challenging mono-medial conceptions of filmOffers a br...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Knowles, Kim (Autor, Contribuidor), Schmid, Marion (Autor, Contribuidor)
Otros Autores: Barber, Stephen (Contribuidor), Beugnet, Martine (Contribuidor), Dicker, Barnaby (Contribuidor), Jacobs, Steven (Contribuidor), Jutz, Gabriele (Contribuidor), Pethő, Ágnes (Contribuidor), Pucill, Sarah (Contribuidor), Reynolds, Lucy (Contribuidor), Roberts, Adam (Contribuidor), Rocamora, Isabel (Contribuidor), Townsend, Christopher (Contribuidor), Vasof, Anna (Contribuidor), Wiseman, Boris (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2022]
Colección:Edinburgh Studies in Film and Intermediality : ESFI
Temas:
Intermediality.
Motion pictures and the arts.
Motion pictures > Criticism and interpretation.
Film, Media & Cultural Studies.
Intermédialité.
Cinéma et arts.
Cinéma > Critique et interprétation.
PERFORMING ARTS / Film & Video / General.
Intermediality
Motion pictures
Motion pictures and the arts
Criticism, interpretation, etc.
Acceso en línea:Texto completo

MARC

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100 1 |a Knowles, Kim,  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Cinematic Intermediality :  |b Theory and Practice /  |c Kim Knowles, Marion Schmid. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2022] 
264 4 |c ©2021 
300 |a 1 online resource (224 p.) :  |b 28 B/W illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Edinburgh Studies in Film and Intermediality : ESFI 
505 0 0 |t Frontmatter --  |t Contents --  |t List of Figures --  |t Acknowledgements --  |t The Contributors --  |t Introduction --  |t Part 1 Mapping the Interzone --  |t 1 Film and Performance: Intermedial Intersections --  |t 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo --  |t 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema --  |t 4 Dream Screen: On Cinema and Painting, Blur and Absorption --  |t Part 2 The Intermedial Avant-gardes --  |t 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 --  |t 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings --  |t 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G --  |t Part 3 Technology, Apparatus, Affect --  |t 8 Intermediality and the Origins of Cinema --  |t 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame --  |t 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph --  |t Part 4 Intermedial Creation --  |t 11 What Does a Dance Filmmaker See? --  |t 12 Performance, Moving Image, Installation: The Making of Body of War and Faith --  |t 13 Muybridge's Disobedient Horses: Non-stop Stop-motion --  |t 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror --  |t Index 
520 |a Outlines an innovative agenda for understanding film's interaction with other art formsOpens up new critical perspectives for understanding the role of intermediality in moving image creationBroadens the traditional horizon of film studies, challenging mono-medial conceptions of filmOffers a broad and inclusive view of cinematic intermediality, with a special emphasis on understudied avant-garde and experimental practiceAs a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for understanding the richly diverse ways in which artists and filmmakers draw on and reconfigure the other arts in their creative practice. From pre-cinema to the digital era, from avant-garde to world cinema and from the projection room to the gallery space, the contributors critically explore what happens when ideas, forms and feelings migrate from one art form to another. Giving voice to both theorists and moving image practitioners, Cinematic Intermediality: Theory and Practice stimulates fresh thinking about how intermediality, as both a creative method and an interpretative paradigm, can be explored alongside probing questions of what cinema is, has been and can be. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023). 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Intermediality. 
650 0 |a Motion pictures and the arts. 
650 0 |a Motion pictures  |x Criticism and interpretation. 
650 4 |a Film, Media & Cultural Studies. 
650 6 |a Intermédialité. 
650 6 |a Cinéma et arts. 
650 6 |a Cinéma  |x Critique et interprétation. 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
650 7 |a Intermediality  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a Motion pictures and the arts  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Barber, Stephen,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Beugnet, Martine,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Dicker, Barnaby,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Jacobs, Steven,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Jutz, Gabriele,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Knowles, Kim,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Pethő, Ágnes,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Pucill, Sarah,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Reynolds, Lucy,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Roberts, Adam,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Rocamora, Isabel,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Schmid, Marion,  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
700 1 |a Schmid, Marion,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Townsend, Christopher,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Vasof, Anna,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Wiseman, Boris,  |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
758 |i has work:  |a Cinematic Intermediality (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFM7dYvRfPHd8DQDVgtjbq  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 |c print  |z 9781474446341 
856 4 0 |u https://www.degruyter.com/openurl?genre=book&isbn=9781474446365  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9781474446365 
994 |a 92  |b IZTAP 

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