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|a 1301548337
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|a 9781474402910
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|a 1474402917
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|a 10.1515/9781474402910
|2 doi
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|a (OCoLC)1302166304
|z (OCoLC)1301548337
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|a AP 47950
|2 rvk
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|a UAMI
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|a Kerner, Aaron,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Extreme Cinema :
|b Affective Strategies in Transnational Media /
|c Aaron Kerner, Jonathan Knapp.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2022]
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|c ©2016
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|a 1 online resource (192 p.)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t Acknowledgments --
|t 1 Extreme Cinema: Revisiting Body Genres --
|t 2 Hearing: With a Touch of Sound-The Affective Charge of Audio Design --
|t 3 Pain: Exploring Bodies, Technology, and Endurance --
|t 4 Laughter: Belly-aching Laughter --
|t 5 Arousal: Graphic Encounters --
|t 6 Crying: Dreadful Melodramas- Family Dramas and Home Invasions --
|t 7 The End of Extreme Cinema? --
|t Bibliography --
|t Filmography --
|t Index
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|a Examines how extreme cinema mobilises explicit content and highly embellished aesthetics to affect spectatorsExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.Key featuresConsiders a wide scope of international approaches to extreme cinemaDraws together a diverse body of theoretical ideas to work towards a conceptualisation of the affective potential in the cinemaEngages critically with films that have received little scholarly attentionCases studies include Wetlands, A Serbian Film and Helter Skelter.
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546 |
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022).
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|a De Gruyter Online
|b De Gruyter Open Access eBooks
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650 |
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|a Motion pictures
|x History.
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|a Motion pictures.
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|a Sex in motion pictures.
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650 |
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|a Violence in motion pictures.
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650 |
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4 |
|a Film, Media & Cultural Studies.
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650 |
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|a Cinéma
|x Histoire.
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650 |
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|a Cinéma.
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650 |
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6 |
|a Sexualité au cinéma.
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650 |
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6 |
|a Violence au cinéma.
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650 |
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|a PERFORMING ARTS / Film & Video / Direction & Production.
|2 bisacsh
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650 |
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7 |
|a Motion pictures
|2 fast
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650 |
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7 |
|a Sex in motion pictures
|2 fast
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650 |
|
7 |
|a Violence in motion pictures
|2 fast
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655 |
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7 |
|a History
|2 fast
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700 |
1 |
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|a Knapp, Jonathan,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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776 |
0 |
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|c print
|z 9781474402903
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|u https://www.degruyter.com/openurl?genre=book&isbn=9781474402910
|z Texto completo
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938 |
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|a De Gruyter
|b DEGR
|n 9781474402910
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994 |
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|a 92
|b IZTAP
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