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Extreme Cinema : Affective Strategies in Transnational Media /

Examines how extreme cinema mobilises explicit content and highly embellished aesthetics to affect spectatorsExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Kerner, Aaron (Autor), Knapp, Jonathan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2022]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Extreme Cinema :  |b Affective Strategies in Transnational Media /  |c Aaron Kerner, Jonathan Knapp. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2022] 
264 4 |c ©2016 
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505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgments --  |t 1 Extreme Cinema: Revisiting Body Genres --  |t 2 Hearing: With a Touch of Sound-The Affective Charge of Audio Design --  |t 3 Pain: Exploring Bodies, Technology, and Endurance --  |t 4 Laughter: Belly-aching Laughter --  |t 5 Arousal: Graphic Encounters --  |t 6 Crying: Dreadful Melodramas- Family Dramas and Home Invasions --  |t 7 The End of Extreme Cinema? --  |t Bibliography --  |t Filmography --  |t Index 
520 |a Examines how extreme cinema mobilises explicit content and highly embellished aesthetics to affect spectatorsExtreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.Key featuresConsiders a wide scope of international approaches to extreme cinemaDraws together a diverse body of theoretical ideas to work towards a conceptualisation of the affective potential in the cinemaEngages critically with films that have received little scholarly attentionCases studies include Wetlands, A Serbian Film and Helter Skelter. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022). 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Motion pictures  |x History. 
650 0 |a Motion pictures. 
650 0 |a Sex in motion pictures. 
650 0 |a Violence in motion pictures. 
650 4 |a Film, Media & Cultural Studies. 
650 6 |a Cinéma  |x Histoire. 
650 6 |a Cinéma. 
650 6 |a Sexualité au cinéma. 
650 6 |a Violence au cinéma. 
650 7 |a PERFORMING ARTS / Film & Video / Direction & Production.  |2 bisacsh 
650 7 |a Motion pictures  |2 fast 
650 7 |a Sex in motion pictures  |2 fast 
650 7 |a Violence in motion pictures  |2 fast 
655 7 |a History  |2 fast 
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