|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
DEGRUYTEROA_on1302166167 |
003 |
OCoLC |
005 |
20240209213017.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
220306s2022 gw fodt z000 0 eng d |
040 |
|
|
|a DEGRU
|b eng
|e rda
|e pn
|c DEGRU
|d N$T
|d OCLCO
|d EBLCP
|d YDX
|d OCLCF
|d OCLCQ
|d UKKNU
|d OCLCQ
|d OCLCO
|d DEGRU
|
019 |
|
|
|a 1304788600
|
020 |
|
|
|a 9783839456811
|q (electronic book)
|
020 |
|
|
|a 3839456819
|q (electronic book)
|
024 |
7 |
|
|a 10.1515/9783839456811
|2 doi
|
029 |
1 |
|
|a AU@
|b 000071374572
|
035 |
|
|
|a (OCoLC)1302166167
|z (OCoLC)1304788600
|
050 |
|
4 |
|a ML3800
|b .T86 2022
|
072 |
|
7 |
|a MUS020000
|2 bisacsh
|
082 |
0 |
4 |
|a 780.1
|2 23
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Tuning up! The Innovative Potential of Musikvermittlung /
|c ed. by Axel Petri-Preis, Sarah Chaker.
|
264 |
|
1 |
|a Bielefeld :
|b Transcript Verlag,
|c [2022]
|
300 |
|
|
|a 1 online resource (216 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a text file
|
347 |
|
|
|b PDF
|
490 |
0 |
|
|a Forum Musikvermittlung - Perspektiven aus Forschung und Praxis ;
|v 1
|
505 |
0 |
0 |
|t Frontmatter --
|t Contents --
|t Preface --
|t Welcome Notes --
|t Musikvermittlung and Its Innovative Potential --
|t Listening Twice to Bernhard Gander's "Peter Parker" --
|t The Big Bang of Musikvermittlung --
|t On the Translation of Music --
|t Slam Poetry Meets Classical Music --
|t Under a Preservation Order? --
|t The Promotion of Pleasure in Individual Perception --
|t Musikvermittlung as Everyday Practice --
|t Practical Intelligence and the Limitations of Practitioners --
|t Engaging with New Audiences --
|t Hear -- Taste -- See: UISGE BEATHA -- Waters of Life --
|t Artful Innovation --
|t Just join in? Audience Participation in Classical Contemporary Music
|
520 |
|
|
|a Professional musicians who perform in hospitals, retirement homes, and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music with all their senses up close - the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesthetic experiences, to bond with new audiences, and to encourage active cultural participation. The contributors focus on the innovative potentials of Musikvermittlung as a social bridge-builder for concert life, (higher) music education, research, and social life.
|
536 |
|
|
|a funded by mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musiksoziologie
|
546 |
|
|
|a In English.
|
590 |
|
|
|a De Gruyter Online
|b De Gruyter Open Access eBooks
|
650 |
|
0 |
|a Music
|x Philosophy and aesthetics.
|
650 |
|
0 |
|a Music
|x Social aspects.
|
650 |
|
6 |
|a Musique
|x Philosophie et esthétique.
|
650 |
|
6 |
|a Musique
|x Aspect social.
|
650 |
|
7 |
|a MUSIC
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Music
|x Philosophy and aesthetics
|2 fast
|
650 |
|
7 |
|a Music
|x Social aspects
|2 fast
|
653 |
|
|
|a Audience Engagement.
|
653 |
|
|
|a Classical Musicians.
|
653 |
|
|
|a Community Engagement.
|
653 |
|
|
|a Concert Studies.
|
653 |
|
|
|a Cultural Education.
|
653 |
|
|
|a Cultural and Social Participation.
|
653 |
|
|
|a Culture.
|
653 |
|
|
|a Education.
|
653 |
|
|
|a Educational Research.
|
653 |
|
|
|a Innovation.
|
653 |
|
|
|a Music Education.
|
653 |
|
|
|a Music Management.
|
653 |
|
|
|a Music.
|
653 |
|
|
|a Musicology.
|
653 |
|
|
|a New Audiences.
|
653 |
|
|
|a New Concert Formats.
|
700 |
1 |
|
|a Benschop, Ruth,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Chaker, Sarah,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Chaker, Sarah,
|e editor
|4 edt
|4 http://id.loc.gov/vocabulary/relators/edt
|
700 |
1 |
|
|a Eve, Imogen,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Naske, Matthias,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Peters, Peter,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Petri-Preis, Axel,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Petri-Preis, Axel,
|e editor
|4 edt
|4 http://id.loc.gov/vocabulary/relators/edt
|
700 |
1 |
|
|a Smilde, Rineke,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Staples, Ronald,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Toelle, Jutta,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Werff, Ties van de,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Wimmer, Constanze,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
700 |
1 |
|
|a Zembylas, Tasos,
|e contributor.
|4 ctb
|4 https://id.loc.gov/vocabulary/relators/ctb
|
710 |
2 |
|
|a mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musiksoziologie
|e funder.
|4 fnd
|4 http://id.loc.gov/vocabulary/relators/fnd
|
856 |
4 |
0 |
|u https://www.degruyter.com/openurl?genre=book&isbn=9783839456811
|z Texto completo
|
938 |
|
|
|a Knowledge Unlatched
|b KNOW
|n 522dce08-d6d3-4c41-a891-c08229974668
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9783839456811
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 3179238
|
994 |
|
|
|a 92
|b IZTAP
|