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Spaces of Communication : Elements of Semio-Pragmatics /
Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer's engagement with...
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2021]
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| Colección: | Film Theory in Media History
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- A Democracy of Readings and Objects: Roger Odin's Contribution to the Theory of Film (Vinzenz Hediger) What We Make of Images and Sounds: Semio-Pragmatics as Approach and Method Establishing a Discipline, Cultivating a Field: Roger Odin and Film Studies in France Moving Semiotics Forward: Semio-Pragmatics and Film Theory since the 1960s Beware of the Crypt: Semio-Pragmatics and the Question of Communication After the Elegy of Cinema: Semio-Pragmatics and the State of Film Studies Spaces of Communication: Elements of Semio-Pragmatics (Roger Odin) Foreword and Acknowledgements Introduction: The Semio-Pragmatic Model On the Difficulty of Getting Away from Immanence On the Difficulty of Staying Within Immanence Vacillation For an Articulation between the Two Paradigms: Semio-Pragmatics The Semio-Pragmatic Model 1. Context, Constraints and the Space of Communication Universally Shared Constraints Natural Constraints The Narrative Constraint The Case of Languages Language and Perception The Influence of a Language on How We Read Images "Non-Natural" Constraints and the Notion of the "Space of Communication" 2. The Discursive Space : Communicative Competence and Modes of Production of Meaning Fictionalizing Mode (First Approach) Spectacularizing and Energetic Modes Documentarizing Mode, Moralizing Mode Fictionalizing Mode (Second Approach); Fabulating Mode 3. Aesthetic Mode, Artistic Mode: Relationship between Modes and Spaces From the Aesthetic Mode to Aesthetic Spaces From the Artistic Mode (in Reduced Form) to Inscription in the Space of Art From the Artistic Mode (Full-Fledged Form) to the Spaces of Art Relationship among Modes and among Spaces 4. Contextual Analysis and the Space of Communication: The Space of Communication of Family Memory The Space of Communication for Memory in the "Traditional" Family The Constraints and the Construction of the Actants Which Mode(s) to Construct? Private Mode, Intimate Mode Communication Operators The Space of Communication for Memory in the New Family Structure "Freed-Up" Communication Testimony Mode: Another Mode of Production of Meaning Other Memory Operators 5. The Space of Communication and Migration: The Example of the Home Movie The Home Movie: From Archives to Loci of Memory The Home Movie on Television From Home Movie to Micro-Histories The Home Movie in the Space of Art The Home Movie in the Medical Context 6. Textual Analysis and Semio-Pragmatics A Stage of the Tour de France on Television Interpreting the Reproduction of a Painting Collective Academic Research The Space of Description and the Construction of the Object of Analysis From the Space of Textual Analysis to the Space of Interpretation The Space of Ideological Analysis The Space of Epistemological Reflection The Place of Cinema in the Academic Institutional Space Conclusion List of Tools The Different Stages of Construction of the Semio-Pragmatic Model Bibliography Index