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Film as embodied art : bodily meaning in the cinema of Stanley Kubrick /

"How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Coëgnarts, Maarten (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Brookline, MA : Academic Studies Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Coëgnarts, Maarten,  |e author. 
245 1 0 |a Film as embodied art :  |b bodily meaning in the cinema of Stanley Kubrick /  |c Maarten Coëgnarts. 
264 1 |a Brookline, MA :  |b Academic Studies Press,  |c [2019] 
300 |a 1 online resource (1 electronic resource (xxxv, 228 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (pages 209-219) and index. 
504 |a Includes filmography (pages 194-198). 
505 0 |a Introduction: The theoretical context of this study -- Identifying the meaning : in search of the concepts of Kubrick's films -- Embodying the meaning : the role of image schemas, metaphors, and metonymies -- Setting the conditions of embodied meaning-making in film : the role of film style and acting -- Fleshing out the embodied meaning visually : the art of Kubrick -- Seeing and listening to Kubrick's films : the embodied film viewer. 
520 |a "How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity"--  |c Provided by publisher. 
588 |a Description based on print version record; resource not viewed. 
542 1 |f This work is licensed under a Creative Commons license  |u https://creativecommons.org/licenses/by-nc/4.0/legalcode 
546 |a In English. 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
600 1 0 |a Kubrick, Stanley  |x Criticism and interpretation. 
600 1 7 |a Kubrick, Stanley  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJpYrQdxJkMDBXqdY6vyh3 
650 0 |a Meaning (Philosophy) in motion pictures. 
650 7 |a Film theory & criticism.  |2 bicssc 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
653 |a 2001: A Space Odyssey. 
653 |a 20th century film. 
653 |a Barry Lyndon. 
653 |a Eyes Wide Shut. 
653 |a Paths of Glory. 
653 |a Stanley Kubrick. 
653 |a The Shining. 
653 |a aesthetics. 
653 |a artistic intention. 
653 |a cinema studies. 
653 |a cognitive film theory. 
653 |a cognitive linguistics. 
653 |a communication. 
653 |a directing. 
653 |a embodied cognitive science. 
653 |a embodied meaning. 
653 |a evolutionary theory. 
653 |a film as language. 
653 |a film scores. 
653 |a film semiotics. 
653 |a film studies. 
653 |a film. 
653 |a filmmaking. 
653 |a metaphor. 
653 |a methodology. 
653 |a music. 
653 |a perception. 
653 |a philosophy. 
653 |a psychoanalysis. 
653 |a screenwriting. 
653 |a semiotics. 
653 |a twentieth century film. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |t Film as embodied art  |d Brookline, MA : Academic Studies Press, [2019]  |z 9781618118363  |w (DLC) 2019022645 
856 4 0 |u https://www.degruyter.com/openurl?genre=book&isbn=9781644691137  |z Texto completo 
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