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190801s2019 maua obq 001 0 eng |
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|a 9781618118363
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|q (electronic bk.)
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|q (softcover)
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|z 1644691124
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|a 10.1515/9781644691137.
|2 doi
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|a (OCoLC)1256588617
|z (OCoLC)1129597176
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|b Knowledge Unlatched
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|a 791.4302/33092
|2 23
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|a UAMI
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|a Coëgnarts, Maarten,
|e author.
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|a Film as embodied art :
|b bodily meaning in the cinema of Stanley Kubrick /
|c Maarten Coëgnarts.
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|a Brookline, MA :
|b Academic Studies Press,
|c [2019]
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|a 1 online resource (1 electronic resource (xxxv, 228 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|a Includes bibliographical references (pages 209-219) and index.
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|a Includes filmography (pages 194-198).
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|a Introduction: The theoretical context of this study -- Identifying the meaning : in search of the concepts of Kubrick's films -- Embodying the meaning : the role of image schemas, metaphors, and metonymies -- Setting the conditions of embodied meaning-making in film : the role of film style and acting -- Fleshing out the embodied meaning visually : the art of Kubrick -- Seeing and listening to Kubrick's films : the embodied film viewer.
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|a "How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity"--
|c Provided by publisher.
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|a Description based on print version record; resource not viewed.
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|f This work is licensed under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc/4.0/legalcode
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|a In English.
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|a De Gruyter Online
|b De Gruyter Open Access eBooks
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|a Kubrick, Stanley
|x Criticism and interpretation.
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1 |
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|a Kubrick, Stanley
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJpYrQdxJkMDBXqdY6vyh3
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|a Meaning (Philosophy) in motion pictures.
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|a Film theory & criticism.
|2 bicssc
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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653 |
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|a 2001: A Space Odyssey.
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653 |
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|a 20th century film.
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653 |
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|a Barry Lyndon.
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653 |
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|a Eyes Wide Shut.
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653 |
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|a Paths of Glory.
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653 |
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|a Stanley Kubrick.
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|a The Shining.
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653 |
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|a aesthetics.
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|a artistic intention.
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653 |
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|a cinema studies.
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|a cognitive film theory.
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|a cognitive linguistics.
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|a communication.
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|a directing.
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|a embodied cognitive science.
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|a embodied meaning.
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653 |
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|a evolutionary theory.
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653 |
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|a film as language.
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653 |
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|a film scores.
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|a film semiotics.
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653 |
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|a film studies.
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|a film.
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|a filmmaking.
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|a metaphor.
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|a methodology.
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|a music.
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|a perception.
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|a philosophy.
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|a psychoanalysis.
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|a screenwriting.
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|a semiotics.
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|a twentieth century film.
|
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|
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|a Criticism, interpretation, etc.
|2 fast
|
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0 |
8 |
|i Print version:
|t Film as embodied art
|d Brookline, MA : Academic Studies Press, [2019]
|z 9781618118363
|w (DLC) 2019022645
|
856 |
4 |
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|u https://www.degruyter.com/openurl?genre=book&isbn=9781644691137
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