Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century /

Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on pro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Utz, Christian (Autor)
Otros Autores: Laurence Sinclair Willis
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript-Verlag, [2021]
Colección:Musik und Klangkultur ; 43
Temas:
Music.
Musique.
music (discipline)
MUSIC > History & Criticism.
Music
20th Century.
Asia.
China.
Cultural History.
Cultural Studies.
Entangled Histories.
Globalization.
Interculturalism.
Japan.
Korea.
Musicology.
Transnationalism.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Table of Contents
  • Preface
  • Preface to the Revised and Expanded English Edition
  • Acknowledgements
  • List of Examples, Figures, and Tables
  • I. Introduction: Art Music, Identity, and Reflexive Globalization
  • 1. Art Music in a Global Context
  • 2. Identity Criticism and Reflexive Globalization
  • 3. Discourses of Intercultural Composition
  • II. Toward an Entangled History of Twentieth-Century Music in a Global Context
  • 1. Preliminaries of an Intercultural Music Historiography
  • 2. Internationalism and Universalism: Repercussions of Political and Cultural History
  • 3. The Ambivalence of the Local in Twentieth-Century Music
  • 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka
  • 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio
  • 6. Categories of Intercultural Reception in Western Composition
  • III. Studies on the History and Analysis of New East Asian Music
  • 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century
  • 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile
  • 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997
  • 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s
  • 5. Intercultural Narrativity in East Asian Art Music since the 1990s
  • 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period
  • IV. The shō Context
  • 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ
  • 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music
  • V. New Music and Beyond: Music-Historical and Cultural Entanglements
  • 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song
  • 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective
  • 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning
  • VI. Reflections on My Own Composing as a Search for Traces in the In-Between
  • 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space
  • 2. Stratification and Analysis
  • 3. Intercultural and Multilingual Trajectories of the Human Voice
  • 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically
  • Bibliography
  • Appendix
  • Index

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