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Curating Contemporary Music Festivals : a New Perspective on Music's Mediation /

Contemporary music, like other arts, is dealing with the rise of "curators" laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Farnsworth, Brandon (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript-Verlag, [2020]
Colección:Musik und Klangkultur ; v. 47.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Curating Contemporary Music Festivals :  |b a New Perspective on Music's Mediation /  |c Brandon Farnsworth. 
264 1 |a Bielefeld :  |b Transcript-Verlag,  |c [2020] 
264 4 |c ©2020 
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490 1 |a Music and sound culture ;  |v v. 47 
505 0 0 |t Frontmatter --  |t Contents --  |t Image and Figure Rights --  |t 1.1 Establishing the Field --  |t 1.2 The State of the Art --  |t 1.3 Scope and Overview --  |t 2.1 Introduction --  |t 2.2 The Anatomy of Festivals and Biennales --  |t 2.3 Curating Biennales --  |t 2.4 Curatorial Discourse --  |t 2.5 Conclusion --  |t 3.1 Introduction --  |t 3.2 Reading Shannon Jackson --  |t 3.3 Curating Dance / Dance Curating --  |t 3.4 Curating Theatre / Theatre Curating --  |t 3.5 Conclusion --  |t 4.1 Introduction --  |t 4.2 Hans Werner Henze --  |t 4.3 Music Theatre? --  |t 4.4 Peter Ruzicka --  |t 4.5 Daniel Ott and Manos Tsangaris (DOMTS) --  |t 4.6 The 2016 and 2018 Biennale Editions --  |t 4.7 Compositional and Curatorial Practices --  |t 4.8 The Munich Biennale in Numbers. --  |t 4.9 Conclusion --  |t 5.1 Introduction --  |t 5.2 A Brief Prehistory to the Maerzmusik Festival --  |t 5.3 Maerzmusik 2002-2014 --  |t 5.4 Berno Odo Polzer --  |t 5.5 2017 Opening Concert: Julius Eastman --  |t 5.6 Storytelling for Earthly Survival --  |t 5.7 Curating and the Maerzmusik Festival --  |t 5.8 Decolonizing Time --  |t 5.9 Conclusion/Coda/Konzertemacher --  |t 6. Conclusion/Curating Music --  |t Bibliography --  |t Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 
520 |a Contemporary music, like other arts, is dealing with the rise of "curators" laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be 
536 |a Funded by Z|rcher Hochschule der K|nste 
546 |a In English. 
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650 0 |a Music festivals. 
650 6 |a Festivals de musique. 
650 7 |a BUSINESS & ECONOMICS  |x Management.  |2 bisacsh 
650 7 |a Music festivals  |2 fast 
653 |a Berliner Festspiele. 
653 |a Cultural Management. 
653 |a Munich Biennale For New Music Theatre. 
653 |a Music Management. 
653 |a Music. 
653 |a Musicology. 
653 |a Münchner Biennale Für Neues Musiktheater. 
653 |a Neue Musik. 
653 |a New Music. 
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