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DEGRUYTEROA_on1198929269 |
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20240209213017.0 |
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200915t20202019gw a fobt z001 0 eng d |
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|a DEGRU
|b eng
|e rda
|e pn
|c DEGRU
|d UAB
|d UEJ
|d UIU
|d EMU
|d OCLCO
|d SFB
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|d AUD
|d DEGRU
|d OCLCO
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|a 1229455866
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|a 3839439027
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|a 9783839439029
|q (electronic bk.)
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|z 9783837639025
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|z 3837639029
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|a 10.14361/9783839439029
|2 doi
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|a (OCoLC)1198929269
|z (OCoLC)1229455866
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|a TR267
|b .G86 2019
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|a ART015110
|2 bisacsh
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|a 771
|2 23
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|a UAMI
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|a Gunti, Claus,
|e author.
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1 |
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|a Digital image systems :
|b photography and new technologies at the Düsseldorf School /
|c Claus Gunti.
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|a Bielefeld :
|b Transcript-Verlag,
|c [2020]
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|c ©2019
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300 |
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|a 1 online resource (350 pages) :
|b illustrations, portraits
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
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|b PDF
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1 |
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|a Image ;
|v [116]
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546 |
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|a In English.
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500 |
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|a Series number missing in the book.
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504 |
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|a Includes bibliographical references (pages 334-344) and index.
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|t Frontmatter --
|t Contents --
|t Introduction --
|t A FRAMING THE DÜSSELDORF SCHOOL --
|t B WHAT IS DIGITAL PHOTOGRAPHY? --
|t Introduction --
|t A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION --
|t B THE END OF PHOTOGRAPHY --
|t C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY --
|t Introduction --
|t A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S --
|t B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN --
|t Introduction --
|t A DIGITAL RETOUCHING TOOLS --
|t B DIGITAL STITCHING --
|t C EARLY DIGITAL COMPOSITIONS --
|t D THOMAS RUFF'S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT --
|t Introduction --
|t A COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD --
|t B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS --
|t C THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION --
|t D GENERIC PICTURE REALITIES --
|t 5 Conclusion --
|t A BIBLIOGRAPHY --
|t B INDEX --
|t C ACKNOWLEDGEMENTS
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|a How have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about?Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective.
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536 |
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|a Funded by Swiss National Science Foundation (SNSF)
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|a Online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020).
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|a Open Access
|5 EbpS
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590 |
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|a De Gruyter Online
|b De Gruyter Open Access eBooks
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610 |
2 |
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|a Düsseldorfer Photoschule.
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650 |
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|a Photography
|x Digital techniques.
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650 |
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|a Image processing
|x Digital techniques.
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650 |
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|a Photographie numérique.
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650 |
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|a Traitement d'images
|x Techniques numériques.
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650 |
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|a digital imaging.
|2 aat
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650 |
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|a ART
|x History
|x Contemporary (1945- )
|2 bisacsh
|
650 |
|
7 |
|a Image processing
|x Digital techniques
|2 fast
|
650 |
|
7 |
|a Photography
|x Digital techniques
|2 fast
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653 |
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|a Andreas Gursky.
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653 |
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|a Art History of the 21st Century.
|
653 |
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|a Art.
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653 |
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|a Computer.
|
653 |
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|a Culture.
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653 |
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|a Digital.
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653 |
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|a Düsseldorf School.
|
653 |
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|a European Art.
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653 |
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|a Fine Arts.
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653 |
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|a Germany.
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653 |
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|a Jörg Sasse.
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653 |
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|a Thomas Ruff.
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653 |
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|a Visual Studies.
|
710 |
2 |
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|a Swiss National Science Foundation (SNSF)
|e funder.
|4 fnd
|4 http://id.loc.gov/vocabulary/relators/fnd
|
830 |
|
0 |
|a Image (Transcript (Firm)) ;
|v v. 116.
|
856 |
4 |
0 |
|u https://www.degruyter.com/openurl?genre=book&isbn=9783839439029
|z Texto completo
|
938 |
|
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|a De Gruyter
|b DEGR
|n 9783839439029
|
938 |
|
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|a ProQuest Ebook Central
|b EBLB
|n EBL6756521
|
938 |
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|a EBSCOhost
|b EBSC
|n 2962144
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994 |
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|a 92
|b IZTAP
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