Frame by frame : a materialist aesthetics of animated cartoons /

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For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-int...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frank, Hannah, 1984-2017 (Autor)
Otros Autores: Morgan, Daniel, 1977- (Editor ), Gunning, Tom, 1949- (writer of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2019]
Temas:
Animated films > History and criticism.
Motion pictures > Aesthetics.
Cinéma > Esthétique.
Films, cinema.
Media studies.
Animated films
Motion pictures > Aesthetics
Electronic books.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Foreword : Hannah Frank's Pause
  • Editor's Introduction
  • Acknowledgments
  • Introduction: Looking at Labor
  • 1. Animation and Montage; or, Photographic Records of Documents
  • 2. A View of the World: Toward a Photographic Theory of Cel Animation
  • 3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist
  • 4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians
  • Conclusion: The Labor of Looking
  • Notes
  • Bibliography
  • Index

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