Cargando…
Improvising Cinema.
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as in...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Francés Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTEROA_on1135844945 | ||
| 003 | OCoLC | ||
| 005 | 20240209213017.0 | ||
| 006 | m o d | ||
| 007 | cr un||||||||| | ||
| 008 | 191023s2014 ne o 000 u fre d | ||
| 040 | |a OAPEN |b eng |c OAPEN |d UKKNU |d UAB |d S2H |d OCLCO |d OCLCF |d OCLCQ |d AUD |d OCLCO |d OCLCQ |d NLAUP |d OCLCQ |d OCLCO |d DEGRU |d OCLCQ |d OCLCL | ||
| 020 | |a 9789048518425 | ||
| 020 | |a 9048518423 | ||
| 020 | |a 9789089645159 | ||
| 020 | |a 9089645152 | ||
| 020 | |a 9789089645517 | ||
| 020 | |a 9089645519 | ||
| 035 | |a (OCoLC)1135844945 | ||
| 041 | 0 | |a fre |a eng | |
| 050 | 4 | |a Internet Access |b AEU | |
| 072 | 7 | |a AB |2 bicssc | |
| 072 | 7 | |a AFKV |2 bicssc | |
| 082 | 0 | 4 | |a 791.43 |q OCoLC |
| 049 | |a UAMI | ||
| 100 | 1 | |a Mouëllic, Gilles. |4 aut | |
| 245 | 1 | 0 | |a Improvising Cinema. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c 2014. | ||
| 300 | |a 1 online resource (200 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance. | ||
| 546 | |a English. | ||
| 546 | |a French. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction -- |t 1. Writing and improvisation -- |t 2. Creation in action -- |t 3. The influence of Jean Rouch -- |t 4. Acting cinema -- |t 5. The temptation of theatre -- |t 6. The rules of the game -- |t 7. Filming jazz -- |t Conclusion -- |t Notes -- |t Bibliography -- |t Index of names -- |t Index of films |
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a Performing arts. | |
| 650 | 6 | |a Arts du spectacle. | |
| 650 | 7 | |a performing arts (discipline) |2 aat | |
| 650 | 7 | |a Electronic, holographic & video art. |2 bicssc | |
| 650 | 7 | |a The arts: general issues. |2 bicssc | |
| 650 | 7 | |a Performing Arts / Film & Video / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Performing arts |2 fast | |
| 653 | |a Society & culture: general | ||
| 758 | |i has work: |a Improvising Cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PD3VcRCqb8FK33PrHTjqt4y |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9789048518425 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9789048518425 | ||
| 938 | |a Amsterdam University Press |b AUPA |n 9789048518425 | ||
| 938 | |a Knowledge Unlatched |b KNOW |n 41ed7311-65c8-4c87-8845-8ed2c3a86a4f | ||
| 938 | |a OAPEN Foundation |b OPEN |n 1005635 | ||
| 994 | |a 92 |b IZTAP | ||