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Film Remakes as Ritual and Disguise : From Carmen to Ripley /
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2006]
|
| Colección: | Film culture in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Zanger, Anat, |e author. | |
| 245 | 1 | 0 | |a Film Remakes as Ritual and Disguise : |b From Carmen to Ripley / |c Anat Zanger. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2006] | |
| 264 | 4 | |c Ã2007 | |
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| 490 | 1 | |a Film culture in transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Introduction -- |t Chapter 1. Psycho: Inside and Outside the Frame -- |t Part One. First Variation: Carmen -- |t Chapter 2. The Game Begins -- |t Chapter 3. Muted Voices -- |t Chapter 4. Masks -- |t Part Two. Second Variation: Joan -- |t Chapter 5. The Game Again -- |t Chapter 6. Hearing Voices -- |t Chapter 7. Disguises -- |t Conclusion -- |t Chapter 8. Repetitions as Hidden Streams -- |t References -- |t Filmography -- |t Credits -- |t Index |
| 520 | |a The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019). | |
| 504 | |a Filmography: p. [147]-149. | ||
| 504 | |a Includes bibliographical references (p. [131]-145) and index. | ||
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a Film remakes |x History and criticism. | |
| 650 | 6 | |a Nouvelles versions (Films) |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 650 | 7 | |a Film remakes |2 fast | |
| 653 | |a culture and history | ||
| 653 | |a motion pictures | ||
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| 653 | |a film | ||
| 653 | |a cultuur and geschiedenis | ||
| 653 | |a women and education, research, related topics | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 830 | 0 | |a Film culture in transition. | |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9789048509706 |z Texto completo |
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