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Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives /

In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genre...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Dunkel, Mario (Editor ), Nitzsche, Sina A. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript-Verlag, [2019]
Colección:Studien zur Popularmusik
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Popular Music and Public Diplomacy :  |b Transnational and Transdisciplinary Perspectives /  |c Sina A. Nitzsche, Mario Dunkel. 
264 1 |a Bielefeld :  |b Transcript-Verlag,  |c [2019] 
264 4 |c ©2018 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Studien zur Popularmusik 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Acknowledgements --  |t Popular Music and Public Diplomacy /  |r Dunkel, Mario / Nitzsche, Sina A. --  |t Part I: Competition and Collaboration --  |t Music in Transnational Transfers and International Competitions /  |r Nathaus, Klaus --  |t The Paradoxes of Cultural and Music Diplomacy in a Federal Country /  |r Mazzola, Alessandro --  |t Dervish on the Eurovision Stage /  |r Şahin, Nevin Ş --  |t Part II: Infiltration and Appropriation --  |t Between Propaganda and Public Diplomacy /  |r Ritter, Rüdiger --  |t "Liberated from Serfdom" /  |r Feustle, Maristella --  |t A Musical Inquisition? /  |r Ignácz, Ádám --  |t Part III: Education and Promotion --  |t Dancing in Chains /  |r Bayles, Martha --  |t Becoming a Blue-Collar Musical Diplomat /  |r Brown, Nicholas Alexander --  |t Music Trade in the Slipstream of Cultural Diplomacy /  |r Kube, Sven --  |t National Flamencoism /  |r Díaz, Carlos Sanz / Morales Tamaral, José Manuel --  |t Part IV: Representation and Participation --  |t The Ethics and Politics of Empathy in US Hip-Hop Diplomacy /  |r Salois, Kendra --  |t Popular Musicking and the Politics of Spectatorship at the United Nations /  |r Ball, James R. --  |t From Sons of Gastarbeita to Songs of Gastarbeiter /  |r Nieden, Gesa zur --  |t Public Diplomacy and Decision-Making in the Eurovision Song Contest /  |r Vuletic, Dean --  |t List of Contributors --  |t Index 
520 |a In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. 
546 |a In English. 
588 0 |a Online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019). 
506 0 |a Open Access  |5 EbpS 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Music and diplomacy. 
650 0 |a Music  |x Political aspects. 
650 0 |a International relations and culture. 
650 6 |a Musique et diplomatie. 
650 6 |a Musique  |x Aspect politique. 
650 6 |a Relations internationales et culture. 
650 7 |a Theory of music & musicology.  |2 bicssc 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 7 |a Music  |2 fast 
650 7 |a Unterhaltungsmusik  |2 gnd 
650 7 |a Public Diplomacy  |2 gnd 
653 |a Arts 
653 |a Music 
653 |a Politics 
653 |a Popular Culture 
653 |a Pop Music 
653 |a International Relations 
653 |a History of the 20th Century 
653 |a Cultural History 
653 |a Musicology 
700 1 |a Dunkel, Mario,  |e editor. 
700 1 |a Nitzsche, Sina A.,  |e editor. 
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