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|a Balanzategui, Jessica,
|e author.
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|a The Uncanny child in Transnational Cinema :
|b ghosts of futurity at the turn of the twenty-first century /
|c Jessica Balanzategui.
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|a Amsterdam :
|b Amsterdam University Press,
|c 2018.
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|a 1 online resource
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|a text
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|a Film culture in transition
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|a Contents: The Child as Uncanny Other / Section One / Secrets and Hieroglyphs: The Uncanny Child in American Horror Film / Chapter One: The Child and Adult Trauma in American Horror of the 1980s / Chapter Two: The Uncanny Child of the Millennial Turn / Section Two / Insects Trapped in Amber: The Uncanny Child in Spanish Horror Film / Chapter Three: The Child and Spanish Historical Trauma / Chapter Four: The Child Seer and the Allegorical Moment in / Millennial Spanish Horror Cinema. / Section Three / Our Fear Has Taken on a Life of Its Own: The Uncanny Child in Japanese Horror Film / Chapter Five: The Child and Japanese National Trauma / Chapter Six: The Prosthetic Traumas of the Internal Alien in Millennial J-Horror / Section Four[-]Trauma's Child: The Uncanny Child in Transnational Remakes and Co-productions / Chapter Seven: The Transnational Uncanny Child/ Chapter Eight: Progress and Decay in the Twenty-first Century: The Postmodern Uncanny Child in The Others / Chapter Nine: 'Round and round, the world keeps spinning. When it stops, it's just beginning:' Analogue Ghosts and Digital Phantoms in The Ring.
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; Table of Contents; Acknowledgements; Introduction; The Child as Uncanny Other; Section One Secrets and Hieroglyphs: The Uncanny Child in American Horror Film; 1. The Child and Adult Trauma in American Horror of the 1980s; 2. The Uncanny Child of the Millennial Turn; Section Two Insects Trapped in Amber: The Uncanny Child in Spanish Horror Film; 3. The Child and Spanish Historical Trauma; 4. The Child Seer and the Allegorical Moment in Millennial Spanish Horror Cinema; Section Three Our Fear Has Taken on a Life of Its Own: The Uncanny Child in Japanese Horror Film.
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|a 5. The Child and Japanese National Trauma6. The Prosthetic Traumas of the Internal Alien in Millennial J-Horror; Section Four Trauma's Child: The Uncanny Child in Transnational Coproductions and Remakes; 7. The Transnational Uncanny Child; 8. Progress and Decay in the 21st Century; The Postmodern Uncanny Child in The Others (Alejandro Amenábar, 2001); 9. 'Round and round, the world keeps spinning. When it stops, it's just beginning'; Analogue Ghosts and Digital Phantoms in The Ring (Gore Verbinski, 2002); Conclusion; Works Cited; Filmography; Artworks; Music; Film Index (by Country); Index.
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|f This work is licensed under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|f This work is licensed by Knowledge Unlatched under a Creative Commons license
|u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|a Open Access
|5 EbpS
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|b De Gruyter Open Access eBooks
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|a JSTOR
|b Books at JSTOR Open Access
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|a Children in motion pictures.
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|a Uncanny, The (Psychoanalysis)
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|a Horror films
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|i Print version:
|a BALANZATEGUI, JESSICA.
|t UNCANNY CHILD IN TRANSNATIONAL CINEMA.
|d [Place of publication not identified] : AMSTERDAM UNIVERSITY PRES, 2018
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