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The Greatest Films Never Seen : the Film Archive and the Copyright Smokescreen.
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2017.
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| Colección: | Framing Film Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Den Kamp, Claudy Op. | |
| 245 | 1 | 4 | |a The Greatest Films Never Seen : |b the Film Archive and the Copyright Smokescreen. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c 2017. | ||
| 300 | |a 1 online resource (187 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Framing Film Ser. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Table of Contents; Acknowledgements; Preface; The Orphan in a Handbag. An introduction to the film archive and intellectual property; Chapter 1 -- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands; Chapter 2 -- A Swiss Bank. Recategorization I -- The embargoed film; Chapter 3 -- A Handbag. Recategorization II -- The orphan film; Chapter 4 -- A Vehicle of Power. Recategorization III -- The public domain film (or, what orphan films are not); Chapter 5 -- A Birthplace. The begotten film; Chapter 6 -- The Potential for History-Making. Of accidents and activation. | |
| 505 | 8 | |a Conclusion. The Brighton lineFilmography; Bibliography; Index. | |
| 520 | |a Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. | ||
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a Film archives. | |
| 650 | 0 | |a Orphan works (Copyright) | |
| 650 | 6 | |a Archives cinématographiques. | |
| 650 | 6 | |a Œuvres orphelines (Droit d'auteur) | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a Performing Arts. |2 bisacsh | |
| 650 | 7 | |a Film archives |2 fast | |
| 650 | 7 | |a Orphan works (Copyright) |2 fast | |
| 653 | |a Film Archive, Intellectual Property, Orphan Works, Public Domain, Film Historiography. | ||
| 758 | |i has work: |a The greatest films never seen (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFWT3x8jqYH9vRPyptY3wC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Den Kamp, Claudy Op. |t Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen. |d Amsterdam : Amsterdam University Press, ©2017 |z 9789462981393 |
| 830 | 0 | |a Framing Film Ser. | |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9789048531042 |z Texto completo |
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