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|a Hongisto, Ilona.
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|a Soul of the Documentary :
|b Framing, Expression, Ethics.
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|a Amsterdam :
|b Amsterdam University Press,
|c 2016.
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|c Ã2015.
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|a 1 online resource (179 pages)
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|a Cover -- Contents -- Acknowledgments -- Prologue -- Imagination: Relational documents -- 1. Frames of the photograph -- 2. A documentary fable -- Fabulation: Documentary visions -- 3. Making up legends -- 4. Acts of resistance -- Affection: Documenting the potential -- 5. Moments of affection -- 6. The primacy of feeling -- Epilogue: Ethics of sustainability -- Notes -- Works cited -- Index.
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|a Soul of the Documentary offers a groundbreaking new approach to documentary cinema. Ilona Hongisto stirs current thinking by suggesting that the work of documentary films is not reducible to representing what already exists. By closely reading a diverse body of films-from The Last Bolshevik to Grey Gardens-Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the documentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary's ethical and political potentials in the contemporary world.
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|a Description based on publisher supplied metadata and other sources.
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|a De Gruyter Online
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|a Documentary films.
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|a Documentary films
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|i has work:
|a Soul of the documentary (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFJXjM7KhCVM4QRqqMwxQq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version
|a Hongisto, Ilona
|t Soul of the Documentary : Framing, Expression, Ethics
|d Amsterdam : Amsterdam University Press,c2016
|z 9789089647559.
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856 |
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