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Christian Metz and the Codes of Cinema : Film Semiology and Beyond.
A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in univ...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2017.
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| Colección: | Film Theory in Media History Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tröhler, Margrit. | |
| 245 | 1 | 0 | |a Christian Metz and the Codes of Cinema : |b Film Semiology and Beyond. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c 2017. | ||
| 300 | |a 1 online resource (485 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Film Theory in Media History Ser. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Table of Contents; Acknowledgments; Editorial Note; 1. Christian Metz and Film Semiology; Dynamics within and on the Edges of the 'Model': An Introduction; Margrit Tröhler; I Metz and the Tradition of Film Theory; 2. Two Ways of Thinking; Raymond Bellour; 3. Christian Metz and his Theoretical Legacy; Michel Marie; 4. Christian Metz for Today; Roger Odin; 5. Thinking Cinema; Christian Metz and/in the Tradition of Film Theory; Frank Kessler; 6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz; Guido Kirsten; II Questions of Form and Aesthetics. | |
| 505 | 8 | |a 7. Christian Metz and AestheticsMartin Lefebvre; 8. Christian Metz and Modern Cinema; Francesco Casetti; 9. Christian Metz, Editing, and Forms of Alternation; André Gaudreault and Philippe Gauthier; III Specificities of the Cinematic Code and the Imaginary; 10. Between Classical and Postclassical Theory; Metz on Specificity Then and Now; Philip Rosen; 11. Cyber-Metz?; The Notion of Code in the Writings of Christian Metz; Selim Krichane; 12. Yes, the Image Lies Beyond Analogy; Understanding Metz with Cartier-Bresson; Marc Vernet; 13. The Cinematic Signifier and the Imaginary; Mary Ann Doane. | |
| 505 | 8 | |a 14. Fetishism and Scepticism, or the Two Worlds of Christian Metz and Stanley CavellD. N. Rodowick; IV Narration, Enunciation, Cinephilia; 15. Cinema: Image or Narrative?; Anne Goliot-Lété; 16. Semiotics, Science, and Cinephilia; Christian Metz's Last Book, L'énonciation impersonnelle; Dana Polan; 17. '"Theorize", he says ... '; Christian Metz and the Question of Enunciation: A Theory in (Speech) Acts; Alain Boillat; 18. Personal Enunciation: Presences of Absences; Dominique Bluher; 19. Metz with Deleuze; From Film Philosophy to Film Theory and Back Again; Nico Baumbach. | |
| 505 | 8 | |a Two Interviews with Christian Metz20. Thirty Years Later; Elena Dagrada; 21. The Semiology of Cinema? It Is Necessary to Continue!; A Conversation with Christian Metz; Elena Dagrada and Guglielmo Pescatore; 22. Flashback to Winter 1990; Margrit Tröhler; 23. 'I Never Expected Semiology to Thrill the Masses'; Interview with Christian Metz; Dominique Blüher and Margrit Tröhler; Postscript; Conclusion; Index -- Names; Index -- Film Titles. | |
| 520 | |a A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today. | ||
| 590 | |a De Gruyter Online |b De Gruyter Open Access eBooks | ||
| 650 | 0 | |a Film criticism. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Semiotics. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
| 650 | 7 | |a Film criticism |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Semiotics |2 fast | |
| 650 | 7 | |a Filmsemiotik |2 gnd | |
| 653 | |a Film Semiology, Filmology, History of Film Theory, Phenomenology, Narratology. | ||
| 700 | 1 | |a Kirsten, Guido. | |
| 700 | 1 | |a Zutavern, Julia. | |
| 776 | 0 | 8 | |i Print version: |a Tröhler, Margrit. |t Christian Metz and the Codes of Cinema : Film Semiology and Beyond. |d Amsterdam : Amsterdam University Press, ©2017 |z 9789089648921 |
| 830 | 0 | |a Film Theory in Media History Ser. | |
| 856 | 4 | 0 | |u https://www.degruyter.com/openurl?genre=book&isbn=9789048527564 |z Texto completo |
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