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Cinematic Vitalism : Film Theory and the Question of Life.

This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the m...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pollmann, Inga
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2017.
Colección:Film Theory in Media History Ser.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Cinematic Vitalism :  |b Film Theory and the Question of Life. 
260 |a Amsterdam :  |b Amsterdam University Press,  |c 2017. 
300 |a 1 online resource (297 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Film Theory in Media History Ser. 
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505 0 |a Cover; Table of Contents; Acknowledgments; Introduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism; Taking Life for a Spin; Turn-of-the-century Vitalism and Philosophy of Life; Early Film Theory; Cinematic Vitalism; 1. Vitalism and Abstraction; Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein; The Reinvention of Cinema in Abstract Film; A Universal Language; Bergson, Intuition, and Art; Setting Form into Motion: Scroll Paintings and Empathy; The Transition to Film; Back into Matter: from Abstraction to Montage; 2. New Worlds. 
505 8 |a Uexküll's Umwelt Theory at the MoviesForays; A Meditation on Mediated Dogs; The Agony of the Starfish: Uexküll's Chronophotography; Of Ticks and Humans; Against Anthropocentrism: Umwelt and Cinema; A Necessary Field of Action: Benjamin, Umwelt, and Play; Painlevé's Cinema of Bewilderment; 3. The Interweaving of World and Self; Transformations of Mood in Expressionist and Kammerspiel Film; The Mediation of a Dog's World; A Brief Aesthetic History of Stimmung; Turn-of-the-Century Stimmung and Cinema: Georg Simmel and Hugo von Hofmannsthal; Balázs, Kammerspielfilm, and Expressionism. 
505 8 |a The Kammerspiel Film: Naturalist Plots and Progressive Aesthetics4. Open Bodies, Open Stories; Evolution, Narration, and Spectatorship in Post-war Film Theory; The Axolotl and Cinema: Bazin, Bergson, and Evolution; Cinema's Milieu; Life and the Temporalities of Film and Painting; Post-Apocalyptic Life: Kracauer's Theory of Film; Conclusion; Vital Media; Bibliography; Index of Films; Index of Names; Index of Subjects. 
520 |a This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film. 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Motion pictures  |x Philosophy. 
650 0 |a Vitalism  |x In motion pictures. 
650 6 |a Vitalisme  |x Au cinéma. 
650 6 |a Cinéma  |x Philosophie. 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 7 |a Vitalism in motion pictures  |2 fast 
650 7 |a Motion pictures  |x Philosophy  |2 fast 
650 7 |a Film  |2 gnd 
650 7 |a Filmtheorie  |2 gnd 
650 7 |a Vitalismus  |2 gnd 
651 7 |a Deutschland  |2 gnd 
651 7 |a Frankreich  |2 gnd 
653 |a Film Theory. 
653 |a Film and Modernity. 
653 |a Film and Philosophy. 
653 |a Film and Science. 
653 |a German Cinema. 
653 |a Vitalism. 
776 0 8 |i Print version:  |a Pollmann, Inga.  |t Cinematic Vitalism : Film Theory and the Question of Life.  |d Amsterdam : Amsterdam University Press, ©2017  |z 9789462983656 
830 0 |a Film Theory in Media History Ser. 
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